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酒造りの始まりを告げる「蔵入り神事」 杜氏や蔵人が良質な酒の完成を祈願 大分・九重町 TBS NEWS DIG Powered by JNNからの記事と詳細 ( 酒造りの始まりを告げる「蔵入り神事」 杜氏や蔵人が良質な酒の完成を祈願 大分・九重町 - TBS NEWS DIG Powered by JNN )
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酒造りの始まりを告げる「蔵入り神事」 杜氏や蔵人が良質な酒の完成を祈願 大分・九重町 TBS NEWS DIG Powered by JNN[unable to retrieve full-text content]
第3話:波瀾万丈の始まり 【丸⼭敬太の “⼭あり⾕あり”な30年】 WWD JAPAN.com[unable to retrieve full-text content]
3期目に向けて始まりました。 自社MEXICO CITY -- Riding in a black SUV with tinted windows, lawyer Mariel Colón rolls up to the gates of a remote mansion, strolling past a security guard side-by-side with Emma Coronel, the wife of notorious drug lord Joaquín “El Chapo” Guzmán.
Sporting suits and sunglasses, the pair stride into a dimly lit room full of slickly dressed men smoking cigars.
All to the roar of trumpets.
The scene is from “La Señora,” the latest music video from Colón, who spent several years working as a defense lawyer for Guzmán while he faced trial in a U.S. court. Now, at a time when regional Mexican music is becoming a global phenomenon, the 31-year-old is leveraging her association with the former leader of the Sinaloa Cartel to launch her music career under the stage name of “Mariel La Abogada” (Mariel, the Lawyer).
“La Señora” features — and pays tribute to — Guzmán’s wife, who was released from prison last year and has struggled to find work. It paved the way for the two to model together last weekend during Milan Fashion Week, raising eyebrows in Italy and beyond.
“(My work) opens doors for me because of the morbid, because of people’s curiosity … They want to understand this,” Colón told The Associated Press. “I’ve always told people that Mariel is a singer who became a lawyer.”
The Puerto Rican daughter of a music director grew up listening to Mexican ballads, loving the brokenhearted passion infused in the music. She always wanted to be a singer, but her family pushed her to pursue a law degree.
She began working for Guzmán's defense team in 2018 after graduating from law school in the U.S. and stumbling upon a Craigslist ad seeking a part-time paralegal to help prepare a Spanish-speaking client for trial.
It was only later that she learned she would be working with Guzmán, taking him and Coronel as clients full time. She saw it as a “great opportunity professionally” and said she wasn't easily intimidated.
Once among the most wanted men in the world, Guzmán led his Sinaloa Cartel in a bloody war for control of the international drug trade, gaining a cinematic level of notoriety for his dramatic prison escapes before his extradition to the U.S. in 2017. Now his sons, known as “Los Chapitos,” are locked in a deadly power struggle with another faction of the cartel, leaving mutilated bodies around the state capital.
“(People ask) how I can do this job, that I’m part of the mafia, how can I sleep at night?” Colón said. “I don’t care what they say about me. I sleep very well at night.”
Colón is one of few people who maintain regular contact with Guzmán. She visits him three times a month in the maximum security prison in Colorado where he's serving a life sentence. She declined to discuss details of Guzmán’s cases, citing attorney-client privilege.
Seeking to build a rapport, Colón sings to Guzmán and other clients, who have included other Mexican drug traffickers and, for a brief time, Jeffrey Epstein, who killed himself in 2019 while awaiting trial on sex-trafficking charges.
Colón serenades Guzmán with Mexican classics from bands including Los Alegres del Barranco and Tucanes de Tijuana. To this day, she said, he's among the first to hear her new music.
“Whatever genre, anything that was coming out that I liked, I would sing it to him because he doesn’t have a radio,” she said.
Her musical career began little more than a year ago, when she released her first video, “La Abogada,” which features Colón dressed in a pink suit, crooning to law enforcement from a courtroom. Like much of the genre, her music is diverse, ranging from percussion-heavy banda to character-focused ballads known as corridos.
“La Señora” features a table sprinkled with diamonds, Guzmán’s wife astride a trotting horse and strolling beside a pool.
Colón said the song was based on Coronel’s life, sending a message of redemption and second chances. It was also a way to offer the 35-year-old work, a condition of her probation.
Coronel, a former beauty queen, was released from prison last year after completing her three-year sentence for drug trafficking and money laundering in relation to her husband’s drug empire. Coronel declined to be interviewed.
“A small waist and beautiful eyes. A brain for business and a strong voice for the bad boys. She only shows her affectionate side to El Chaparrito,” Colón belts out in her ballad. “El Chaparrito,” meaning “the little shorty,” plays with Guzmán’s nickname.
Colón's musical rise coincides with a relative golden age of Mexican music, which grew 400% worldwide over the last five years on Spotify. In 2023, Mexican artist Peso Pluma bested Taylor Swift as the most streamed artist on YouTube.
While corridos have dominated for more than a century, young artists have filled stadiums by twisting the style on its head, mixing classic ballads with trap in corridos tumbados.
But it also cuts to the heart of a larger debate: Does the music capture the realities facing many Mexicans or does it glorify the narco-violence long plaguing the Latin American nation?
Narco culture has long been part of corridos, with many singers idealizing traffickers as “an aspirational figure going against the system,” said Rafael Saldívar, a researcher at the Autonomous University of Baja California.
“They’re cultural expressions speaking to the realities of the country,” Saldívar said. But “in a way they glorify these criminals, or do so in a way where some feel it’s pushing this kind of lifestyle.”
A classic example: king of corridos Chalino Sánchez used the violence around him in Sinaloa to spin lyrics while also calling out the “Sinaloa gang” for torturing and killing innocents. He was shot dead at a performance in the state's capital in 1992.
Last year, Peso Pluma – who paid homage to Guzmán in songs – was forced to cancel a show in Tijuana after the 25-year-old received threats from a rival of the Sinaloa Cartel that if he came it “would be your last performance.”
Later, Tijuana banned the performance of narco ballads altogether to protect “the eyes and ears” of youths as it tries to contain violence. Local authorities in northern states previously banned musicians singing narcocorridos.
Colón, who hasn't gone so far as to glorify arms or drugs, is quick to defend narcocorridos.
“There's a reason why Netflix did the ‘Narcos’ show, it's because there's an audience for it. It intrigues people,” she said. “That doesn’t mean they’re applauding or celebrating what this person did, but they do have a sort of admiration for this person or this person’s life. Not everything is violence. These people have hearts, they have families.”
While Colón plans to put out her first record in December, Coronel has leveraged “La Señora” to launch her career as a model and social media influencer.
April Black Diamond, the designer who asked Coronel and Colón to model in a side event during Milan Fashion Week, said her choice was met with “shock.”
“People evolve. My platform isn’t about judgment but about showing different dimensions of women, their strength, and resilience,” she wrote in a statement. The next day, photos of Coronel in one of the designer’s dresses appeared plastered on a billboard in New York's Times Square.
On Wednesday, Italy's National Fashion Chamber issued an “urgent” press release saying the show wasn't affiliated with official fashion week events and that brands need to follow its code of ethics.
Meanwhile, eyes on Colón and Coronel's video continue to grow, clocking around 750,000 views on YouTube.
DALLAS -- Newly emerged film footage of President John F. Kennedy's motorcade speeding down a Dallas freeway toward a hospital after he was fatally wounded sold at auction Saturday for $137,500.
The 8 mm color home film was offered up by RR Auction in Boston. The auction house said the buyer wishes to remain anonymous.
The film has been with the family of the man who took it, Dale Carpenter Sr., since he recorded it on Nov. 22, 1963. It begins as Carpenter just misses the limousine carrying the president and first lady Jacqueline Kennedy but capturing other vehicles in the motorcade as it traveled down Lemmon Avenue toward downtown. The film then picks up after Kennedy has been shot, with Carpenter rolling as the motorcade roars down Interstate 35.
The shots had fired as the motorcade passed through Dealey Plaza in front of the Texas School Book Depository, where it was later found that assassin Lee Harvey Oswald had positioned himself from a sniper’s perch on the sixth floor. The assassination itself was famously captured on film by Abraham Zapruder.
Carpenter's footage from I-35, which lasts about 10 seconds, shows Secret Service Agent Clint Hill — who famously jumped onto the back of the limousine as the shots rang out — hovering in a standing position over the president and Jacqueline Kennedy, whose pink suit can be seen. The president was pronounced dead after arriving at Parkland Memorial Hospital.
Bobby Livingston, executive vice president of the auction house, said in a news release that the film “provides a gripping sense of urgency and heartbreak.”
Carpenter's grandson, James Gates, said that while it was known in his family that his grandfather had film from that day, it wasn't talked about often. So Gates said that when the film, stored along with other family films in a milk crate, was eventually passed on to him, he wasn't sure exactly what his grandfather, who died in 1991 at age 77, had captured.
Projecting it onto his bedroom wall around 2010, gates was at first underwhelmed by the footage from Lemmon Avenue. But then, the footage from I-35 played out before his eyes. “That was shocking," he said.
The auction house has released still photos from the portion of the film showing the race down I-35, but it is not publicly releasing video of that part.
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アベノミクス相場、終わりの始まり…「石破ショック」週明けも市場に激震か 総裁選、高市氏への期待感も 円高加速、株価先物暴落(2/2ページ) ZAKZAKNEW YORK -- NEW YORK (AP) — “Saturday Night Live” is set to set off its 50th season with host Jean Smart and musical guest Jelly Roll.
Smart, the 73-year-old “Hacks” and “Designing Women” star who just won her sixth Emmy, has never hosted the NBC sketch comedy institution before in her more than 40-year career. She said on Instagram that the gig is a “bucket list” achievement for her.
Former cast member Maya Rudolph is reportedly returning to the show this season to play Vice President Kamala Harris, and if recent patterns of opening episodes with politics-of-the-moment are any indication, she could be in the premiere’s cold open at the top of the show.
Rudolph has popped up to play Harris before — and won an Emmy for it — but has yet to play the role of presidential candidate.
Lorne Michaels is still at the helm, just as he was for the first episode on Oct. 11, 1975, when George Carlin hosted and the nation got its first dose of the Not Ready for Prime Time Players: Chevy Chase, John Belushi, Gilda Radner, Dan Akroyd, Jane Curtin, Laraine Newman and Garrett Morris.
There were two musical guests — Billy Preston and Janis Ian — playing two songs apiece, the norm in the early days.
The country singer and rapper Jelly Roll has the music role to himself Saturday, and like Smart he's a first-timer.
That debut show is documented and reenacted in the newly released Jason Reitman film “Saturday Night,” part of a wave of reflection and celebration the show is getting on the cusp of its 50th anniversary.
Upcoming episodes will feature host Nate Bargatze with musical guest Coldplay, Ariana Grande with Stevie Nicks, Michael Keaton with Billie Eilish, and John Mulaney with Chappell Roan.
Those shows will lead up to a three-hour primetime special on Feb. 16 that will serve as the official 50th season celebration. It's sure to feature a wide range of the many stars the show has spawned, including Bill Murray, Eddie Murphy, Billy Crystal, Julia Louis-Dreyfus, Robert Downey Jr., Mike Myers, Adam Sandler, Chris Rock, Tina Fey, Amy Poehler and Will Ferrell.
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海士町は快晴! SDGsツアー始まります! イーズ未来共創フォーラム[unable to retrieve full-text content]
【このシューマッハ最初のF1マシンなんぼ?】シューマッハのF1キャリアの始まりとなった1台 ジョーダン191販売中!その価格は?(AutoBild Japan) | 自動車情報・ニュース carview![unable to retrieve full-text content]
「2025年手帳(10月始まり)」おすすめ6選&AmazonランキングTOP10!【2024年9月版】(1/3) | ライフ ねとらぼリサーチ ねとらぼ[unable to retrieve full-text content]
【このシューマッハ最初のF1マシンなんぼ?】シューマッハのF1キャリアの始まりとなった1台 ジョーダン191販売中!その価格は?(AutoBild Japan) | 自動車情報・ニュース carview!HAMDEN, Conn. -- Hip-hop artist Fatman Scoop, who collapsed onstage while performing in Connecticut last month, died of heart disease, the state medical examiner's office has determined.
The official cause of death for the performer, born Isaac Freeman III, was hypertensive and atherosclerotic cardiovascular disease, a spokesperson for the Connecticut medical examiner's office said Wednesday.
Fatman Scoop, 53, collapsed while performing in Hamden on Aug. 30 and was taken to a hospital.
His family said later on Instagram that “the world lost a radiant soul, a beacon on stage and in life.”
A New York City-born rapper and hype man, Fatman Scoop was known for his single “Be Faithful,” which topped charts in Europe in the early 2000s, and for his contributions to hits by Missy Elliott, Mariah Carey and others.
His family cherished him as “the laughter in our lives, a constant source of support, unwavering strength and courage,” his relatives said.
“His music made us dance and embrace life with positivity," his family members said. "His joy was infectious and the generosity he extended to all will be deeply missed but never forgotten.”
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秋の全国交通安全運動が始まります。 厚木市Ivan and Peter Koubek’s father has just died, but neither seems willing to talk much about it, let alone to one another. After all, it’s not like the two brothers are even friends.
Peter, the eldest by a decade, pities his awkward, 22-year-old brother, a competitive chess player whose prowess for the game hasn’t done much to build his social skills or self-esteem. But after meeting Margaret, an older woman who’s emerging from the shadow of her own crisis, Ivan’s life has begun to blossom — and the same cannot be said for Peter. A human-rights lawyer — once optimistic, now jaded — Peter’s self-medicating and can’t stop sabotaging his relationships with Naomi, a wry, carefree college student, and Slyvia, his former flame and longtime love.
The days after tragedy are often hard to navigate and “Intermezzo,” the fourth novel from Irish author Sally Rooney, is a portrait of grief not fully internalized. In her astutely intimate style, Rooney wades through the convoluted emotions that follow tragedy: certainly heartache, but also relief and longing, guilt and joy, all on the cusp of transformation.
In sketching the contours of her characters, Rooney alternates between the perspectives as she did in her last novel, “Beautiful World, Where Are You.” Her dialogue, characteristically bare and without quotation marks, lends a distinct musicality to her prose.
As Peter’s mind becomes untethered by pills, Rooney’s close third-person voice dances over the line of spoken and unspoken, slurring together in long, drawn-out paragraphs as he wanders the streets of Dublin — meandering sentences broken by sharp staccatos of self-pity.
Ivan meanwhile, follows the well-trod path of other stunted men, intelligently methodical yet rambling, grasping at emotions with insufficient words. These instances of almost are where Rooney shines. She teases out near-ruptured emotions never fully felt by the conscience, untethering them from reality for our voyeuristic pleasure.
When Ivan first meets Margaret, Rooney notes that he has “an involuntary mental image of kissing her on the mouth: not even really an image, but an idea of an image, sort of a realization that it will be possible to visualize this at some later point.”
Margaret herself is struck by the uncanny sense that “life has slipped free of its netting” following her first encounter with Ivan. “It means nothing,” she thinks, then quickly course corrects. “That isn’t true: it means something, but the meaning is unfamiliar.”
This is often the meter of metamorphosis, the mundane swirl of emotions flirt past, illegible and unrealized until they inevitably burst, fully formed and so wholly overwhelming that they cannot be contained. And it is at this in-between, restrained and circumspect, where Rooney situates her novel — consider the title.
Intermezzo, an unexpected move in chess that interrupts the typical sequence of exchanges, is a risk that upends the game’s perceived balance, raising the stakes.
In the tense, messy contradictions of communal grief, Rooney weaves together beautiful whole cloth.
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AP book reviews: https://apnews.com/hub/book-reviews
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まるで山々が海に浮かぶ瀬戸内海の小島のよう 秋の始まりを告げる「霧の海」 広島・三次市 HOME広島ホームテレビ[unable to retrieve full-text content]
海(泉谷星奈)の未来に向かって成長していく姿を描く『海のはじまり』スピンオフ『親子は道半ば』FODプレミアムで独占配信! めざましmediaTEHRAN, Iran -- While tensions remain high between the U.S. and Iran, there's at least one American that state radio in Tehran invites on the air each week for its millions of listeners. It's just that he's a fictional insurance fraud detective who's been on the case since 1949.
“Yours Truly, Johnny Dollar,” a radio program created by CBS that later found a devoted listenership in Iran for a Farsi-language version under Shah Mohammad Reza Pahlavi in the 1960s, has returned to Iranian radio.
It's not clear why exactly the network controlled by hard-liners have decided to bring back “the man with the action-packed expense account,” but his reappearance harkens back to an era when Iran and the U.S. enjoyed incredibly close relations.
And the newly produced episodes introduce younger generations to a character that many older Iranians still have a decades-old fondness for, their ears perking up with show’s signature start with three gunshots and Johnny Dollar answering a ringing phone with its title.
“It is amazing, it reminds me of the ‘60s and ’70s, when I listened to the episodes with my parents through a vacuum tube radio," said Masoud Kouchaki, 73. "We did not have any worries except for guessing how Johnny Dollar would find the murderer.”
The original CBS radio show ran from 1949 until 1962 and focused on the cases of Johnny Dollar, an investigator from Hartford, Connecticut. The serial relied on the investigator's expenses account entries — like “$10 deposit on the car I rented" or "one dollar, one drink for me" — to propel the story forward as Dollar interviewed witnesses and suspects in the transatlantic accent common to detective stories of the era.
“CBS steadfastly resisted moving it to television when television was peeling off lots of radio programing, lots of radio content, lots of radio actors," said John F. Barber, a professor in the digital technology and culture program at Washington State University Vancouver and expert on “Johnny Dollar” and other radio dramas of the era.
“They took a gamble that radio drama would continue to attract audiences. ... It does come at the end of the golden age of radio, before television became the primary entertainment source in America.”
For Iranians, state radio first went on the air in 1940, part of the efforts by then-ruler Reza Shah to rapidly modernize the country. His son, Shah Mohammad Reza Pahlavi, took over in 1941, and for several decades radio remained the key media consumed in his growing country, with the number of stations few and all state-controlled.
Iran's version of “Yours Truly, Johnny Dollar" dropped the expense account format but kept the noir-light vibe, dramatic music and U.S. location. Instead, the shows would end with Iranian state radio inviting the public to write in to explain what clue gave away the guilty party, with those getting it right having a chance to win a prize.
Mostafa Nasiri, a 76-year-old retired engineer, remembered winning a watch as a teenager in 1966 for answering correctly.
“It was a precious gift," he wistfully recounted. "I got it from the office of the radio broadcaster, and I was publicly honored in the school for that. Some years later I sold it for some $70.”
After Iran's 1979 Islamic Revolution, the country's state radio and television broadcaster soon found itself controlled by hard-line adherents to the country's Shiite theocracy. Any program celebrating America found itself removed after the U.S. Embassy hostage crisis saw relations collapse. Tehran will celebrate the 45th anniversary of the takeover this November.
In recent years, pirated Hollywood blockbusters have found their way on air in Iran's state-controlled channels. However, hard-liners remain suspicious of Western shows, dismissing them as a “cultural invasion” targeting Iran's people. But many homes have illegal satellite dishes allowing them to watch channels abroad, while the internet and virtual private networks help Iranians circumvent censorship.
That interest in the outside world likely would extend to a hard-boiled American investigator as well.
“You’ve got some guy he’s out there, you know, buying drinks, taking cabs, doing all this wonderful stuff," said John C. Abbott, who wrote a three-volume history of the U.S. "Johnny Dollar" series. “Maybe it was an escape.”
Despite that, Johnny Dollar seems to have passed the test, though the state-run Islamic Republic of Iran Broadcast hasn't explained its reasoning for allowing it on air on its Radio Namayesh channel. Ayoub Aghakhani, the director of the newly produced episodes, told state TV that he decided to make the episodes based on available Farsi translations to “attract more audiences” to radio broadcasts.
People have “heard about (Johnny Dollar) from either their father or grandfather,” Aghakhani reportedly said. “I learned that 20-, 30-year-old students are familiar with the opening phrase."
So far, state radio has broadcast nine episodes and plans to air 17 more. State radio officials did not respond to The Associated Press' questions about the show, nor did CBS in New York.
Among the young, there's a collective shrug at Johnny Dollar's rebirth as many remain focused on their mobile phones.
“It is a shame that a radio station of the Islamic Republic is broadcasting an American show,” said Hamid Mohseni, a 29-year-old taxi driver. “I will call the radio station to ask them to stop the unpleasant program.”
But for those old enough to remember him, they're glad he's back on the case.
“It is beautiful to listen to the stories that revive many memories,” said Mehri Bagheri, a 68-year-old homemaker. "Then I went to one of my friends’ homes to listen to the show and have a good time.”
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Gambrell reported from Dubai, United Arab Emirates.
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日経先物、月曜日の強い始まりを示唆 執筆 Investing.com 日本MEMPHIS, Tenn. -- Young Dolph grew up riding his bike and playing basketball in a Memphis, Tennessee, neighborhood and later built a rap career that included ownership of an independent music label, Paper Route Empire.
He became beloved locally for his charitable works: donations to local high schools, paying rent and covering funeral costs for others, Thanksgiving turkey giveaways.
He was in Memphis to hand out turkeys to families at a church when a visit to his favorite cookie shop near his childhood home turned into an event that shocked the city and the entertainment world. Young Dolph, whose real name was Adolph Thornton Jr., was gunned down in a daylight ambush on Nov. 17, 2021.
Nearly three years later, a trial in the 36-year-old rapper's killing is scheduled to begin Monday. Justin Johnson has pleaded not guilty to first-degree murder and is scheduled to face a jury from the Nashville area after a defense attorney argued that intense media coverage and social media attention would make it hard to seat a jury from Memphis.
Another man, Cornelius Smith Jr., also was charged with first-degree murder. He is not scheduled for trial on Monday, said his lawyer, Michael Scholl. Smith also has pleaded not guilty.
Young Dolph's family and friends have been patiently awaiting a trial and are praying for justice for the father of two children, said Carlisa Brown, his older sister.
“We want everyone involved to get what they deserve,” she said in a phone interview. “It was a very senseless murder.”
On the day the rapper was shot, two men got out of a stolen Mercedes-Benz and fired shots into Makeda’s Homemade Cookies before fleeing, authorities say. As they searched for the suspects, police released photos taken from surveillance video that captured two men getting out of a Mercedes and firing into the store.
After more than a month on the run, Johnson was captured in January 2022 in Indiana. Smith was arrested on an auto-theft warrant involving the Mercedes.
Authorities have not released a suspected motive. Two other men also have been charged in the shooting.
Hernandez Govan has pleaded not guilty to organizing the killing. Jermarcus Johnson pleaded guilty in June 2023 to three counts of serving as an accessory after the killing by helping Smith and Justin Johnson, his half-brother.
Jermarcus Johnson acknowledged helping the two shooting suspects communicate by cellphone while they were on the run from authorities and helping one of them communicate with his probation officer. Jermarcus Johnson has not been sentenced.
Right after the shooting, the bakery turned into a makeshift memorial for Young Dolph, with fans praying in the parking lot and writing messages of condolences and love on plywood covering the shot-out windows. The bakery closed for months but has since reopened.
He also was honored by the Memphis Grizzlies of the NBA during a game. Murals of the rapper were painted around the city. A neighborhood street was named after him.
Known for his depictions of tough street life and his independent approach to the music business, he began his career by releasing numerous mixtapes, starting with 2008′s “Paper Route Campaign,” and multiple studio albums, including his 2016 debut “King of Memphis.” He also collaborated on other mixtapes and albums with fellow rappers Key Glock, Megan Thee Stallion, T.I., Gucci Mane, 2 Chainz and others.
He had three albums reach the top 10 on the Billboard 200, with 2020′s “Rich Slave” peaking at No. 4.
Young Dolph's desire to be an independent entrepreneur led him to create Paper Route Empire, his sister said.
“He didn't want to be confined and put in a box, like when you get on some of these other labels,” Brown said. “It was about having something of his own, something that he built and made, that he could ultimately use to help impact other people.”
Born in Chicago, Young Dolph came to Memphis with his three siblings when they were young. His parents were struggling with addiction, so they moved to be close to their grandmother.
“We had a fun childhood, and my brother always had an independent, big brother type of mentality,” Brown said. “My sister and I, we are the oldest, but he always had that leader-type role, like ‘I’m a protector, I’m going to protect you.’”
He was an artistic kid who liked to draw and hang out in Castalia Heights, a working class neighborhood that sometimes showed Young Dolph a gritty side of Memphis that he later portrayed in his music, Brown said.
“He wasn't that type of boy that you see standing on corners, and all that kind of stuff, but he was definitely street smart,” she said.
Young Dolph's legacy not only lies in his music, but also in his charitable works, including the IdaMae Family Foundation, named after his grandmother. The charity holds an annual Day of Service in his honor.
“Our grandmother was the one people would call on to ask for help, and of course, she would go do it,” said Brown, the foundation's president. “It is something that is innate in us, to be able to just help people and give to people. It's just something that came naturally. It came out of the kindness of his heart.”
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「始まりの物語として必見!」 トランスフォーマー ONE おじゃるさんの映画レビュー(感想・評価) 映画.com[unable to retrieve full-text content]
八女市でからくり人形芝居「八女福島の燈籠人形」上演始まる nhk.or.jpWASHINGTON -- With President Joe Biden away from the White House, it was left Friday to another man with Oval Office experience to stand at the front of the Rose Garden and give a rousing call to service.
Martin Sheen and others from the cast of “The West Wing,” the hit drama about a liberal president and his staff, were invited by first lady Jill Biden for an event to mark the 25th anniversary of the show.
Sheen exhorted the crowd to find something worth fighting for, “something deeply personal and uncompromising, something that can unite the will of the spirit with the work of the flesh."
His voice and hands rose, his cadence matching perfectly that of President Jed Bartlet, the character Sheen played for seven seasons.
“When we find that, we will discover fire for the second time, and then we will be able to help lift up this nation and all its people to that place where the heart is without fear, and their head is held high,” Sheen said.
“The West Wing” remains a favorite of many who now work in Washington, both liberal and conservative. Among those spotted in the Rose Garden were House Foreign Affairs Chairman Michael McCaul, R-Texas, and Joe Walsh, once a tea party-aligned Illinois congressman who is now a sharp critic of former President Donald Trump and supporting Vice President Kamala Harris.
Asked to name his favorite character, Walsh replied, “I'm partial to Martin Sheen because I want to be president one day." (Walsh ran and lost a longshot Republican primary challenge to Trump in 2020.)
It was clear in the speeches and the party’s touches that at least a few “West Wing” fans work in the White House.
There was the U.S. Marine Band playing the opening notes to the show's theme as Biden and the cast walked out. There were references to “big blocks of cheese” — a show tradition of requiring staffers to meet with eccentric or offbeat characters — and the walk-and-talk dialogues in which characters moved through the halls at high speed.
Waiters passed out bourbon-and-ginger ale cocktails called “The Jackal,” a reference to press secretary C.J. Cregg's dance and lip sync routine in one iconic episode.
The show's creator, Aaron Sorkin, spoke after Sheen and referenced a bit of real-world politics: Biden's decision not to seek a second term after his disastrous debate performance. Sorkin was among the high-profile Democrats who called for him to withdraw, writing a column for The New York Times with a potential “script” for Democrats to replace Biden as their nominee with a Republican, Utah Sen. Mitt Romney.
His column ran on July 21, hours before Biden announced he would drop out.
“The fact is, ‘West Wing’ moments do happen,” he said Friday, addressing the first lady. “And Dr. Biden, we saw proof of that on the morning of July 21.”
Sorkin also recognized the cast members in attendance. Among them: Richard Schiff, who played communications director Toby Ziegler; Janel Moloney, who played assistant Donna Moss; and Dulé Hill, who played the president's bodyman, Charlie Young.
He noted the absence of a few high-profile actors — Allison Janney, who played Cregg, as well as Bradley Whitford and Rob Lowe — who he said were on set elsewhere.
“The rest of us are apparently unemployed,” he joked.
After the crowd laughed, a voice chimed in from Sorkin's right.
“Not yet!” Jill Biden said.
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始まりは江戸時代!? 神戸の無形民俗文化財『かねたたき』に行ってきた。須磨・多井畑の豊作を願う伝統行事 神戸ジャーナルNEW YORK -- When he wasn't working on mystery stories, and he completed hundreds, G.K. Chesterton liked to think of new ways to tell them.
Detective fiction had grown a little dull, the British author wrote in a rarely seen essay from the 1930s published this week in The Strand Magazine, which has released obscure works by Louisa May Alcott,Raymond Chandler and many others. Suppose, Chesterton wondered, that you take an unsolved death from the past, like that of the 17th century magistrate Sir Edmund Berry Godfrey, and come up with a novel that explores how he might have been murdered?
“I suggest that we try to do a little more with what may be called the historical detective story," Chesterton wrote. “Godfrey was found in a ditch in Hyde Park, if I remember right, with the marks of throttling by a rope, but also with his own sword thrust through his body. Now that is a model complication, or contradiction, for a detective to resolve.”
Chesterton's words were addressed to a small and exclusive audience. He remains best known for his Father Brown mysteries, but in his lifetime he held the privileged title of founding president of the Detection Club, a gathering of novelists whose original members included Agatha Christie, Dorothy L. Sayers and AA Milne among others. They would meet in private, at London's Escargot restaurant; exchange ideas and even work on books together, including such “round-robin” collaborations as “The Floating Admiral.”
The club, established in the late 1920s, is still in existence and has included such prominent authors as John le Carre,Ruth Rendell and P.D. James. Members are serious about the craft if not so high-minded about the club itself. Among the sacred vows that have been taken in the past: No plots resolved through “Divine Revelation, Feminine Intuition, Mumbo-Jumbo, Jiggery-Pokery, Coincidence or the Act of God” and “seemly moderation" in the use of gangs, conspiracies, death-rays and super-criminals.
According to the current president, Martin Edwards, the Detection Club meets for three meals a year — two in London, and a summer lunch in Oxford, and continues to work on books. In 2016, the club honored one its senior members, Peter Lovesey, with “Motives for Murder,” which included tributes from Ann Cleeves, Andrew Taylor, Catherine Aird and David Roberts.
Next March, it will release “Playing Dead: Short Stories by Members of the Detection Club,” with Edwards, Lovesey, Abir Mukherjee and Aline Templeton listed as among the contributors.
Asked if new members are required to take any oaths, Edwards responded, “There is an initiation ceremony for new members, but all I can say is that it has evolved significantly over the years.”
No one ever acted upon Chesterton's idea for a book if only because no evidence has been found of any response to his essay or that anyone even had a chance to read it.
In a brief foreword for the Strand, written by the president of the American Chesterton Society, Dale Ahlquist sees the document's journey as its own kind of mystery. One copy was found in the rare books division of the University of Notre Dame, in South Bend, Indiana. Another is included among Chesterton's papers in the British Museum, with a note from the late author's secretary, Dorothy Collins, saying that his work had sent on to “The Detective Club Magazine.”
There was no Detective Club Magazine.
“So the original manuscript was sent to a magazine that never existed. But how did it end up in the Special Collections at Notre Dame? Another mystery,” Ahlquist writes. "Obviously, Dorothy Collins sent it somewhere. She probably meant ‘Detection Club’ in her note but wrote ‘Detective Club.’ Some member of the Detection Club or hired editor received it, but since the magazine never materialized, whoever held the manuscript continued to hold it, and it remained in that person’s papers until it didn’t."
“After Chesterton’s death (in 1936),” he added, “it was either sold or given away or went into an estate through which it was acquired. Collectors acquire things. Then, either before they die or after they die, their collections get donated. At some point it was donated to Notre Dame. A real detective ... would track all this down.”
NEW YORK -- The New York Philharmonic and its musicians' union settled on a collective bargaining agreement Thursday that includes a 30% raise over three years.
The deal with Local 802 of the American Federation of Musicians calls for raises of about 15% in 2024-25, and 7.5% each in 2025-26 and 2026-27. Base pay will rise to $205,000 by the deal’s final season.
Ratification of the new deal is expected to take place Friday, and the contract will run from Saturday through Sept. 20, 2027.
A four-year contract that included pandemic-related pay cuts through August 2023 was due to expire this week.
The philharmonic is in the first of two seasons without a music director. Jaap van Zweden left at the end of the 2023-24 season and Gustavo Dudamel starts in 2026-27. The philharmonic also is searching for a CEO following the abrupt departure of Gary Ginstling in July after one year.
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いよいよ領域別実習が始まります! - 新着情報 | 看護学部 宝塚大学[unable to retrieve full-text content]
NEW YORK -- MrBeast is accused of creating “unsafe” employment conditions, including sexual harassment, and misrepresenting contestants' odds at winning his new Amazon reality show's $5 million grand prize in a lawsuit filed Tuesday by five unnamed participants.
The filing alleges that the multimillion-dollar company behind YouTube's most popular channel failed to provide minimum wages, overtime pay, uninterrupted meal breaks and rest time for competitors — whose “work on the show was the entertainment product” sold by MrBeast.
A spokesperson for MrBeast, whose real name is Jimmy Donaldson, told The Associated Press in an email that he had no comment on the new lawsuit.
Donaldson’s “Beast Games” was touted as the “biggest reality competition." It was supposed to put the North Carolina content creator in front of audiences beyond the YouTube platform where his record 316 million subscribers routinely watch his whimsical challenges that often carry lavish gifts of direct cash.
But its initial Las Vegas shoot began facing criticism before it even wrapped. Donaldson’s companies cast 2,000 people in an initial tryout this July where half could advance to the actual show's filming in Toronto.
Contestants only learned upon their arrival that the Las Vegas pool surpassed 1,000 competitors, according to the lawsuit, which significantly reducing their chances of victory. The lawsuit argues the “false advertising” violated California business laws that prohibit sweepstakes operators from “misrepresenting in any manner the odds of winning any prize."
The five anonymous competitors also said that “limited sustenance" and “insufficient medical staffing” endangered their health.
The filing alleges that production staff created a “toxic” work environment for women who faced “sexual harassment” throughout the contest. Those sections are heavily redacted in an effort to comply with “confidentiality provisions” signed by the competitors, according to a press release from their lawyers.
The lawsuit adds to the complaints — circulated by online influencers in the shoot's immediate aftermath — that an unorganized set had left some contestants injured and lacking in regular access to food and medication. Other participants have told AP they received two light meals each day and MrBeast branded chocolate bars.
MrBeast’s team also faces new accusations they “knowingly misclassified” the contestants’ employment status to the Nevada Film Commission in order to receive a state tax credit for more than $2 million.
Among other forms of relief, the five competitors seek an order that MrBeast institute “workplace reforms” and awards “all wages owed."
Last month, amid several public relations crises, Donaldson ordered a full assessment of his YouTube empire's internal culture and outlined plans to require company-wide sensitivity training.
No more details have been divulged and no date has been publicized for the reality game show's release.
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Associated Press coverage of philanthropy and nonprofits receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. For all of AP’s philanthropy coverage, visit https://apnews.com/hub/philanthropy.
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秋の新生活の始まりに「衣・食・住」の新たな出会いを提案する「彩り祭 2024」がスタート。 PR TIMES[unable to retrieve full-text content]
『ピクミン ブルーム』新要素:レアデコレベル実装!! 毎日がもっと楽しくなる新たな散歩の始まり【プレイログ#732】 ファミ通App[unable to retrieve full-text content]
明日から新宿区議会定例会が始まりますので、本日は全員協議会にて議案の説明を受けました。 自社Top New Shows (US):
1. Flightless Bird, David Farrier
2. Talk Tuah with Hailey Welch, Hailey Welch
3. Synced, Monica Padman & Liz Plank
4. Moral Of The Story, Stephanie Son
5. Ghost Bunny by Bridget Marquardt & Audiobook Studios
6. The Home Front by Reed Galen
7. How To Do Everything, Wait Wait Don’t Tell Me
8. UNPLUGGED with Nicki Marie by nickimarieinc
9. Rip Current by iHeart True Crime
10. Da Get Got Pod with Marshawn Lynch & Mike Robinson by Playmaker Podcast Network
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渋谷スクランブル交差点の街頭ビジョンを使用した日常侵蝕型ゲーム「Ds試験」,予告映像を公開中。映像「始まりの謎解き」は10月15日に公開 4Gamer.netNEW YORK -- There's the story everyone knows about Lil Tecca, and then there is Tyler Sharpe, the rapper-producer with big aspirations and the dedication to see it through. His fourth studio album, appropriately titled “Plan A,” out Friday, isn't a culmination of his career to date — but it does reflect the journey.
“‘Plan A’ summarizes my plan for life,” he told the Associated Press. “It’s never a plan B.”
The popular narrative goes a little something like this: Five years ago, a then-teenage MC from New York released “Ransom,” introducing the world to his singsong-y, AutoTune-inspired flow and hook-heavy melodies. People loved it, and quickly. As of last month, the Recording Industry Association of America has accredited it eight-times platinum.
A hit at the start of a career is usually a sure-fire way to kneecap it, to burn bright and fast, but Lil Tecca managed to avoid the cliche. He has a loyal and fervent fanbase, and he never let the hype overwhelm him. The music was always first. It's why his last album, “Tec,” which arrived almost exactly a year before “Plan A,” was celebrated in hip-hop circles, with tracks like “500 lbs” and an inspired collab with Kodak Black, “Hvn on Earth.”
For this album, Tecca enlisted the producers he’s been working with since day one — like Rio Leyva, Taz Taylor and the like — to evolve the sound he's spent the last few years cultivating. “My most favorite people to collaborate with are producers,” he says. “We mainly create with no expectations."
Their process hasn't changed much from the early days: Tecca picks a beat and freestyles or writes to it. “Sometimes I might just rap on the loop. No beat, no drums, no nothing,” he says. “The only difference is just sharpening the craft.”
There's only one listed feature on the album — Don Toliver on the futuristic trap-rock, “I Can't Let Go.”
“Don Toliver is fire,” he says, simply. “When it came to having the Don song on there, it just felt like the perfect moment, honestly, for what I was trying to achieve in that first half of the project.”
Part of that goal is transparency.
“This one is definitely way more personal. I'm speaking about things I’ve never spoken (about) like my mom and stuff like that,” he says, referring to the smooth throwback, “MAMA.”
“So I kind of just wanted to let people take another step closer to me, on the personal side."
It's found in songs about relationships and miscommunication, too, like the single “Taste.”
Tecca says the many elements that make up “Plan A” manifest in a few different ways, fashion among them. He's been wearing a lot of leopard print lately; it appears on the album cover, the single artwork for “Bad Time,” and elsewhere. “Fashion, specifically, is just another way I express myself,” he says. “I kind of learned it from going to a uniform school. It’s like those Fridays where you get to wear what you want. You feel different... It's definitely another layer to who I am.”
As for future plans — he's got those mapped out. Video games, film, TV, they're all ambitions. “I honestly want to do everything that I’m into, I want to show my version of it,” he says. “So I’m into games. I want to show my version of what like, the best game is. I’m into movies. I want to show my version of what the best movie is.”
“Mentally, I'm definitely already in the next chapter,” he says.
But for now, it's all about “Plan A.” And he hopes new listeners and his dedicated fans will join him for the ride.
“My music isn’t just about me. My music is sort of just the soundtrack to the people that support me in the world that I put my music in,” he concludes. “My No. 1 priority is to inspire the people that actually believe in me.”
Joe Posnanski is getting pretty good at this whole sports countdown thing.
The award-winning sportswriter's previous books have profiled significant ballplayers ("The Baseball 100") and ticked off 50 of the biggest occasions in the history of our national pastime ("Why We Love Baseball.")
Posnanski is back with a new sport and total. In “Why We Love Football: A History in 100 Moments,” the former Sports Illustrated scribe pens a thoroughly enjoyable look back at the players and plays that have come to define America's most popular sport.
Sure, one could argue with what was included and what was not, the order, etc. But at the end of the day, the book is a love letter to football — a poignant, informative and at times hilarious look at what makes the gridiron game such a part of the national fabric.
“It takes us fans to the mountaintop, and it tears our hearts out,” Posnanski writes. “It lifts us and crushes us, thrills us and revolts us, leaves us empty and leaves us wanting and leaves us breathless.”
There are no-brainers in there — the 1972 “Immaculate Reception” that lifted the Pittsburgh Steelers over the Oakland Raiders to their first-ever playoff victory, the “Kick-Six” missed field goal return for Auburn that stunned Alabama in the 2013 Iron Bowl and Bart Starr's title-winning quarterback keeper during the 1967 NFL Championship “Ice Bowl” game against Dallas at Lambeau Field — but “Why We Love Football” is at its best when it explores the off-the-beaten-path moments in the game's long history.
And the intersection of football and pop culture. The passage on former Notre Dame coach Dan Devine's portrayal in the underdog feel-good film “Rudy” alone might be worth the book's purchase price.
For football fans like this reviewer, the book is an absolute must-read. But it should be accessible to the football-averse, too, with its brilliant writing and research that unearths gems and perspectives that bring the game and its characters to life. Readers will find themselves laughing out loud at times.
“Football matters because, at its best, the game illustrates life at its most exuberant and most passionate and most emotionally heightened,” Posnanski writes.
“Why We Love Football" proves that statement by reminding us all what makes it the No. 1 sport in the land.
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AP book reviews: https://apnews.com/hub/book-reviews
Celebrity birthdays for the week of Sept. 22-28:
Sept. 22: Singer-dancer Toni Basil is 81. Actor Paul Le Mat (“American Graffiti”) is 79. Singer David Coverdale (Whitesnake, Deep Purple) is 73. Actor Shari Belafonte is 70. Singer Debby Boone is 68. Country singer June Forester of The Forester Sisters is 68. Singer Nick Cave is 67. Actor Lynn Herring (“General Hospital”) is 67. Singer Johnette Napolitano of Concrete Blonde is 67. Opera singer Andrea Bocelli is 66. Musician Joan Jett is 66. Actor Scott Baio is 64. Actor Bonnie Hunt is 63. Actor Catherine Oxenberg (“Dynasty”) is 63. Actor Rob Stone (“Mr. Belvedere”) is 62. Actor Dan Bucatinsky (“24: Legacy”) is 59. Bassist-guitarist Dave Hernandez (The Shins) is 54. Rapper Mystikal is 54. Singer Big Rube of Society of Soul is 53. Actor James Hillier (“The Crown”) is 51. Actor Mireille Enos (“World War Z”) is 49. Actor Daniella Alonso (“Revolution,” ″Friday Night Lights”) is 46. Actor Michael Graziadei (“The Young and the Restless”) is 45. Actor Ashley Eckstein (“That’s So Raven,” “Sofia the First”) is 43. Actor Katie Lowes (“Scandal”) is 42. Bassist Will Farquarson of Bastille is 41. Actor Tatiana Maslany (“She-Hulk: Attorney at Law,” “Orphan Black”) is 39. Actor Ukweli Roach (“Blindspot”) is 38. Actor Tom Felton (“Harry Potter” films) is 37. Actor Teyonah Parris (“Mad Men”) is 37.
Sept. 23: Singer Julio Iglesias is 81. Actor-singer Paul Petersen (“The Donna Reed Show”) is 79. Actor-Mary Kay Place is 77. Musician Bruce Springsteen is 75. Director George C. Wolfe (film’s “Nights in Rodanthe,” stage’s “Angels in America”) is 70. Drummer Leon Taylor of The Ventures is 69. Actor Rosalind Chao (2020’s “Mulan,” “Star Trek: Deep Space Nine”) is 67. Actor Jason Alexander (“Seinfeld”) is 65. Actor Chi McBride (“Hawaii Five-0,” ″Boston Public”) is 63. Steel guitarist Don Herron of BR549 is 62. Actor LisaRaye (“All of Us,” ″Beauty Shop”) is 58. Singer Ani DiFranco is 54. Singer Sam Bettens of K’s Choice is 52. Rapper-producer-record head Jermaine Dupri is 52. Actor Kip Pardue (“The Rules of Attraction,” “Remember the Titans”) is 48. Actor Anthony Mackie (“Captain America: The Winter Soldier”) is 46. Singer Erik-Michael Estrada of O-Town is 45. Actor Brandon Victor Dixon (“Hamilton”) is 43. Actor David Lim (“S.W.A.T.,” ″Quantico”) is 41. Actor Cush Jumbo (“The Good Fight,” ″The Good Wife”) is 39. Actor Skylar Astin (“Pitch Perfect” films) is 37.
Sept. 24: Singer Phyllis ″Jiggs” Allbut Sirico of The Angels is 82. Actor Gordon Clapp (“NYPD Blue”) is 76. Actor Harriet Walter (“The Crown”) is 74. Actor Kevin Sorbo (“Hercules: Legendary Journeys”) is 66. Singer Cedric Dent (Take 6) is 62. Actor-writer Nia Vardalos (“My Big Fat Greek Wedding”) is 62. Drummer Shawn Crahan of Slipknot is 55. Drummer Marty Mitchell (Ricochet) is 55. Singer-guitarist Marty Cintron of No Mercy is 53. Guitarist Juan DeVevo of Casting Crowns is 49. Actor Ian Bohen (“Yellowstone,” “Teen Wolf”) is 48. Actor Spencer Treat Clark (“Agents of S.H.I.E.L.D.,” “Animal Kingdom”) is 37. Actor Grey Damon (“Station 19”) is 37. Actor Kyle Sullivan (“Malcolm in the Middle”) is 36. Actor Ben Platt is 31.
Sept. 25: Polka band leader Jimmy Sturr is 83. Actor Josh Taylor (“Days of Our Lives,” “Valerie’s Family”) is 81. Actor Robert Walden (“Lou Grant”) is 81. Actor Michael Douglas is 80. Model Cheryl Tiegs is 77. Actor Mimi Kennedy (“Dharma and Greg”) is 76. Actor Anson Williams (“Happy Days”) is 75. Actor Mark Hamill is 73. Actor Colin Friels is 72. Actor Michael Madsen is 66. Actor Heather Locklear is 63. Actor Aida Turturro (“The Sopranos”) is 62. Actor Tate Donovan (“The O.C.”) is 61. TV personality Keely Shaye Smith (“Unsolved Mysteries”) is 61. Actor Maria Doyle Kennedy (“Orphan Black,” ″The Tudors”) is 60. Actor Jason Flemyng (“The Curious Case of Benjamin Button,” ″The League of Extraordinary Gentlemen”) is 58. Actor-singer Will Smith is 56. Actor Hal Sparks (“Queer as Folk”) is 55. Actor Catherine Zeta-Jones is 55. Actor Bridgette Wilson-Sampras (“The Wedding Planner,” “I Know What You Did Last Summer”) is 51. Actor Clea DuVall (“Heroes”) is 47. Actor Robbie Jones (“One Tree Hill”) is 47. Actor Joel David Moore (“Avatar”) is 47. Actor Chris Owen (“American Pie” films, “October Sky”) is 44. Rapper T.I. is 43. Actor Lee Norris (“One Tree Hill,” “Boy Meets World”) is 43. Actor-rapper Donald Glover (Childish Gambino) (“Atlanta,” ″Community”) is 41. Actor Zach Woods (“Silicon Valley,” ″The Office”) is 40. Actor Jordan Gavaris (“Orphan Black”) is 35. Actor Emmy Clarke (“Monk”) is 33.
Sept. 26: Country singer David Frizzell is 83. Actor Kent McCord (“Adam 12”) is 82. “The Weakest Link” host Anne Robinson is 80. Singer Bryan Ferry is 79. Actor Mary Beth Hurt is 78. Actor James Keane (“Bulworth,” TV’s “The Paper Chase”) is 72. Singer-guitarist Cesar Rosas of Los Lobos is 70. Country singer Carlene Carter is 69. Actor Linda Hamilton is 68. Singer Cindy Herron of En Vogue is 63. Actor Melissa Sue Anderson (“Little House on the Prairie”) is 62. Singer Tracey Thorn of Everything But the Girl is 62. TV personality Jillian Barberie is 58. Guitarist Jody Davis of Newsboys is 57. Actor Jim Caviezel (“Sound of Freedom,” “The Passion of the Christ”) is 56. Actor Tricia O’Kelley (“The New Adventures of Old Christine”) is 56. Actor Ben Shenkman (“Royal Pains,” “Angels in America”) is 56. Actor Melanie Paxson (“Descendants”) is 52. Singer Shawn Stockman of Boyz II Men is 52. Music producer Dr. Luke is 51. Jazz trumpeter Nicholas Payton is 51. Singer and TV personality Christina Milian is 43. Actor Zoe Perry (“Young Sheldon”) is 41. Singer-songwriter Ant Clemons is 33.
Sept. 27: Actor Kathleen Nolan is 91. Actor Claude Jarman Jr. (“The Yearling”) is 90. Singer-guitarist Randy Bachman of Bachman-Turner Overdrive is 81. Actor Liz Torres (“Gilmore Girls”) is 77. Actor A Martinez (“LA Law,” ″Santa Barbara”) is 76. Actor Cary-Hiroyuki Tagawa (“Pearl Harbor”) is 74. Actor-opera singer Anthony Laciura (“Boardwalk Empire”) is 73. Singer-actor-director Shaun Cassidy is 66. Comedian-podcaster Marc Maron is 61. Singer-guitarist Stephan Jenkins of Third Eye Blind is 60. Actor Patrick Muldoon (“Melrose Place”) is 56. Singer Mark Calderon of Color Me Badd is 54. Actor Gwyneth Paltrow is 52. Actor Indira Varma (“For Life”) is 51. Singer Brad Arnold of 3 Doors Down is 46. Bassist Grant Brandell of Underoath is 43. Actor Anna Camp (“The Mindy Project,” ″True Blood”) is 42. Rapper Lil’ Wayne is 42. Singer Avril Lavigne is 40. Bluegrass musician Sierra Hull is 33. Actor Sam Lerner (“The Goldbergs”) is 32. Actor Ames McNamara (“The Connors”) is 17.
Sept. 28: Actor Brigitte Bardot is 90. Actor Joel Higgins (“Silver Spoons”) is 81. Actor Jeffrey Jones is 78. Actor Vernee Watson (“Bob Hearts Abishola,” “Fresh Prince of Bel-Air”) is 75. Writer-director-actor John Sayles is 74. Guitarist George Lynch (Dokken) is 70. Actor Steve Hytner (“Seinfeld”) is 65. Actor-comedian Janeane Garofalo is 60. Country singer Matt King is 58. Actor Mira Sorvino is 57. TV personality and singer Moon Zappa is 57. Actor Naomi Watts is 56. Country singer Karen Fairchild of Little Big Town is 55. Country singer Mandy Barnett is 49. Rapper Young Jeezy is 47. Actor Peter Cambor (“NCIS: Los Angeles”) is 46. TV personality Bam Margera (“Jackass”) is 45. Actor Jerrika Hinton (“Grey’s Anatomy”) is 43. Guitarist Luke Mossman of Nathaniel Rateliff and the Night Sweats is 43. Musician St. Vincent is 42. Comedian Phoebe Robinson (“What Men Want”) is 40. Drummer Daniel Platzman (Imagine Dragons) is 38. Actor Hilary Duff is 37. Actor Keir Gilchrist (“United States of Tara”) is 32.
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【富士市】「サードプラネット」の解体工事が始まりました。跡地はどうなるの? 富士市・富士宮市LOS ANGELES -- LOS ANGELES (AP) — “Shogun” could be in for an epic night, “The Bear” could clean up for the second time in less than a year, and “Baby Reindeer” has gone from dark horse to contender as the 76th Primetime Emmy Awards arrive on Sunday.
Back in their traditional mid-September spot after a single strike-delayed edition in January, the Emmys will air live on ABC from the Peacock Theater in downtown Los Angeles. The father and son duo of Eugene and Dan Levy, the winning stars of the 2020 Emmys with their show “Schitt's Creek,” will host.
Here's a look at the how the evening could play out across the major categories.
The show begins at 8 p.m. Eastern and is being shown live on ABC, which is available with an antenna or through cable and satellite providers.
The Emmys can be also streamed live through live TV streaming services that include ABC in their lineup, like Hulu+ Live TV, YouTube TV and FuboTV. For those without a live TV streaming service, the show will be streaming Monday on Hulu.
It may be impossible to slow the roll of “Shogun.”
With its 14 wins at the precursor Creative Arts Emmy Awards last weekend, the FX series about lordly politicking in feudal Japan has already set a record for most Emmys for a single season of a series.
On Sunday night it can extend its record by six, and industry prognosticators are predicting it will get them all.
The show seized all the Emmy power in the top categories by shifting from the limited series to the drama category in May when it began developing more seasons. And it was in some ways Emmy royalty from the start. During the golden age of the miniseries, the original 1980 “Shogun,” based on James Clavell's historical novel, won three including best limited series.
If it faces any competition at all for the best drama prize, it could come for the sixth and final season of “The Crown,” the only show among the nominees that has won before in a category recently dominated by the retired “Succession.”
Veteran screen star Hiroyuki Sanada, up for best actor, and Anna Sawai, up for best actress, are in position to become the first Japanese actors to win Emmys.
Sanada could face a challenge from Gary Oldman, who has been quietly creating one of his career defining roles on Apple TV+ as schlubby spy chief Jackson Lamb on “Slow Horses.”
Sawai's competition comes from Emmy luminary Jennifer Aniston of “The Morning Show,” who has only won once before in 10 nominations. Imelda Staunton could win her first for playing Queen Elizabeth II on “The Crown.”
This looks to be the year of FX, which is also in for a likely victory lap for “The Bear."
“The Bear” took most of the big comedy Emmys home in January for its first season, and is expected to do the same Sunday for its second, which includes nominations for best comedy series, best actor for Jeremy Allen White and best supporting actor for Ebon Moss-Bachrach.
Ayo Edebiri, reigning best supporting actress, moves to the lead actress category for a character who is essentially a co-lead on the culinary dramedy. That means she'll be up against Jean Smart, a two-time winner in the category for “Hacks” who is back in the competition after a year off.
Meryl Streep, among several Academy Award winners among the night's nominees, could win her fourth Emmy to go with her three Oscars. She's up for best supporting actress in a comedy for “Only Murders in the Building.”
Another multiple Oscar winner, Jodie Foster, could get her first Emmy for best actress in a limited series for “True Detective: Night Country.”
The HBO show that features Foster as a police chief investigating mysterious deaths in the darkness of a north Alaskan winter was the top nominee among limited or anthology series. Kali Reis could become the first Indigenous woman to win an Emmy in the supporting actress category.
A few months ago it looked as though the show would vie with “Fargo” for the top prizes, but Netflix's darkly quirky “Baby Reindeer” surged on the eve of nominations and is now the popular pick for best limited series, best actor for creator and star Richard Gadd and best supporting actress for the woman who plays his tormentor, Jessica Gunning.
Gadd's category also includes Andrew Scott for Netflix's “Ripley," and Jon Hamm, who has two shots at winning his second Emmy between his nomination here for “Fargo” and for supporting actor in a drama for “The Morning Show.”
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For more on this year’s Emmy Awards, visit: https://apnews.com/hub/emmy-awards