【2024年最新】ビットコインの始まりはいつから？値段の歴史を時系列で解説 - ビットバンク

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Anna Netrebko to sing at Palm Beach Opera gala in first US appearance since 2019

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Soprano Anna Netrebko is scheduled to give a recital at the Palm Beach Opera for its gala on Feb. 3 in what would be her first U.S. appearance in six years.

Considered the world’s top soprano, Netrebko was dropped by the Metropolitan Opera in 2022 after she refused a demand by Met general manager Peter Gelb that she repudiate Russia President President Vladimir Putin following Russia’s invasion of Ukraine. She has sued the Met, alleging defamation and breach of contract in a case that is pending.

She has appeared since then at major houses including the Vienna State Opera, Paris Opéra, Milan’s Teatro alla Scala and Berlin’s Staatsoper unter den Linden but had not been engaged in the U.S. or by The Royal Opera in London. She last appeared at the Met in 2019 in Verdi’s “Macbeth.”

Netrebko will perform with pianist Ángel Rodríguez at the The Breakers hotel.

“I am honored to be lending my voice to the Palm Beach Opera’s annual gala,” Netrebko said in a statement Wednesday sent to The Associated Press.

Palm Beach Opera’s season includes three performances each of Gounod's "Roméo et Juliette" in January, Verdi’s “La Traviata” in February and Mozart’s “Le Nozze di Figaro” in April. Casts have not been announced.

Past Palm Beach Opera galas featured Luciano Pavarotti, Plácido Domingo, José Carreras, Renée Fleming and Bryn Terfel, with Isabel Leonard (2024), Piotr Beczala (2023) and Nadine Sierra (2022) appearing in recent years.

“It means a lot to me to be joining the remarkable list of illustrious singers that have participated in this celebration over the last decades,” Netrebko said.

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始まりは15年前「『水素』で社内に活を入れたかった」川崎重工副社長 - ITpro

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Former 'General Hospital' actor Haley Pullos gets 5 years probation after DUI crash

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PASADENA, Calif. -- Former longtime “General Hospital” actor Haley Pullos was sentenced to five years of probation Monday after pleading guilty to felony drunken driving and serving three months in jail.

Pullos, 26, was also sentenced in a Los Angeles County court in Pasadena to 200 hours of community service. The judge ordered her to complete a nine-month alcohol treatment program and to pay more than $8,000 in restitution to the other driver in the crash that authorities said she caused when she drove the wrong way on freeway lanes in April of 2023.

Pullos began appearing on “General Hospital” as a child, playing Molly Lansing-Davis on nearly 500 episodes of the ABC soap opera from 2009 to 2023. She left the show after the collision and has not returned.

She was driving westbound on the Ventura Freeway in Pasadena when she swerved into eastbound lanes, crossed a barrier and ran into an oncoming car, authorities said. Firefighters had to pull both drivers from their mangled cars, and both were hospitalized. It's not clear what their exact injuries were.

Pullos pleaded guilty to a felony count of driving under the influence earlier this year.

A representative for the actor did not immediately reply to an email seeking comment.

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【広島好き】坂倉将吾が後半戦最初のカードで示したもの 打撃改造の転換は新たな冒険の始まり - J SPORTSコラム＆ニュース

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From the opening ceremony to DiscOlympics, Cerrone still reigns nearly 50 years on

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PARIS -- As the Eiffel Tower shimmered with laser lights, a tune from the man known as the French Disco King set the stage for the final leg of the Olympics opening ceremony.

As Cerrone's “Supernature” pulsed through Paris, sports legends like Serena Williams and Rafael Nadal glided down the Seine, with deaf choreographer Shaheem Sanchez grooving to the beat through American Sign Language dance. This 1977 classic proved that disco's glittering charm still reigns supreme on one of the world's grandest stages.

For Cerrone, 72, this moment once again proved his cross-generational music has staying power.

“The sounds changed every decade, but for my part I never lose the movement,” the music producer told The Associated Press on Sunday night before he hit the stage as the headliner at DiscOlympics, which brought out more than 3,000 energic concertgoers to a riverfront nightclub.

The event paid homage to the roots of dance music and Cerrone, who shaped the disco genre in France in the mid-1970s with jams such as “Supernature,” “Give Me Love” and “Je Suis Music.”

Cerrone said he still has indescribable emotions after watching the opening ceremony segment featuring his song, released nearly a half-century ago. He was surprised when the ceremony's composer and music director, Victor le Masne, approached him nine months ago. Le Masne proposed updating it with a more symphonic sound, featuring orchestral arrangements.

Cerrone said the creative process was like witnessing a woman enduring months of pregnancy before giving birth.

“I think it's my best work of my career,” said the producer, who has released 23 albums and sold more than 30 million records worldwide.

Along with Cerrone, the 12-hour DiscOlympics had several performers such as Agoria, He.She.They., and Kartell. The diverse lineup showcased disco's evolution into a foundation for subgenres such as hip-hop, house music and electronic dance music.

Disco initially made a splash in the early 1970s in New York City with various musical influences from funk, soul and Latin music. Cerrone, along with other French artists including Dalida and Amanda Lear, were a part of the Euro disco movement in the mid-1970s.

European artists with disco influences, like Daft Punk and Giorgio Moroder, have found success in the U.S.

“Everybody knows the real disco has never left,” Cerrone said. “It never stopped. Sometimes it was bigger then lower. ... With the young people, it's funny. I performed at a big festival. I see 60,000 people in front of me. I stop the music and (they're singing) ‘Supernature.’ It's never changed. Sometimes, it's like that.”

Waël Mechri-Yver, a French-Tunisian musician, said Cerrone is deserving of high recognition, calling him a disco musical savant. After he first heard about the legendary producer's involvement with the opening ceremony a few months ago, he reached out to Cerrone's manager about being a headliner at DiscOlympics.

“He's the father of disco. He's the king of disco music,” said Mechri-Yver, who performs under the stage name WAÏ. His culture collective company BABËL and Silencio hosted the DiscOlympics.

When Mechri-Yver heard Cerrone's song during opening ceremony, he knew it was perfect timing for his event.

“Disco is coming back really strong and we really want to be the champion of that music,” said Mechri-Yver. Along with Kosmo Kint and Cerrone's son Greg Cerrone, Mechri-Yver recorded the song “Are You Ready,” which was performed for the first time publicly Sunday and received a favorable response from the crowd.

“It's very joyful, celebratory, inclusive, grateful music that is about giving praise to the Lord, giving praise to nature. That's why ‘Supernature’ was such an incredible performance. The Eiffel Tower lit up. The whole world started to sing. It was absolutely beautiful,” Mechri-Yver said.

DiscOlympics attendee Alexia Charles was extremely pumped up about the event. The Parisian, who's in her mid-30s, rarely frequents the nightclub scene but felt compelled to see Cerrone perform — especially after the opening ceremony.

“It's amazing to see,” she said. “You can hear the people screaming for him. That's a good representation of electro music in France.”

Cerrone said seeing people cheer him on in his 70s fuels him.

“That's the best deal to live a long time,” he said. “It makes me happy to sing about that.”

___

For more coverage of the Paris Olympics, visit https://apnews.com/hub/2024-paris-olympic-games.

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Museums closed Native American exhibits 6 months ago. Tribes are still waiting to get items back

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NEW YORK -- Tucked within the expansive Native American halls of the American Museum of Natural History is a diminutive wooden doll that holds a sacred place among the tribes whose territories once included Manhattan.

For more than six months now, the ceremonial Ohtas, or Doll Being, has been hidden from view after the museum and others nationally took dramatic steps to board up or paper over exhibits in response to new federal rules requiring institutions to return sacred or culturally significant items to tribes — or at least to obtain consent to display or study them.

The doll, also called Nahneetis, is just one of some 1,800 items museum officials say they’re reviewing as they work to comply with the requirements while also eyeing a broader overhaul of the more than half-century-old exhibits.

But some tribal leaders remain skeptical, saying museums have not acted swiftly enough. The new rules, after all, were prompted by years of complaints from tribes that hundreds of thousands of items that should have been returned under the federal Native American Graves Protection and Repatriation Act of 1990 still remain in museum custody.

“If things move slowly, then address that,” said Joe Baker, a Manhattan resident and member of the Delaware Tribe of Indians, descendants of the Lenape peoples European traders encountered more than 400 years ago. “The collections, they’re part of our story, part of our family. We need them home. We need them close.”

Sean Decatur, the New York museum’s president, promised tribes will hear from officials soon. He said staff these past few months have been reexamining the displayed objects in order to begin contacting tribal communities.

The museum also plans to open a small exhibit in the fall incorporating Native American voices and explaining the history of the closed halls, why changes are being made and what the future holds, he said.

Museum officials envision a total overhaul of the closed Eastern Woodlands and Great Plains halls — akin to the five-year, $19 million renovation of its Northwest Coast Hall, completed in 2022 in close collaboration with tribes, Decatur added.

“The ultimate aim is to make sure we’re getting the stories right,” he said.

Lance Gumbs, vice chairman of the Shinnecock Indian Nation, a federally recognized tribe in New York’s Hamptons, said he worries about the loss of representation of local tribes in public institutions, with exhibit closures likely stretching into years.

The American Museum of Natural History, he noted, is one of New York’s major tourism draws and also a mainstay for generations of area students learning about the region’s tribes.

He suggests museums use replicas made by Native peoples so that sensitive cultural items aren’t physically on display.

“I don’t think tribes want to have our history written out of museums,” Gumbs said. “There’s got to be a better way than using artifacts that literally were stolen out of gravesites.”

Gordon Yellowman, who heads the department of language and culture for the Cheyenne and Arapaho Tribes, said museums should look to create more digital and virtual exhibits.

He said the tribes, in Oklahoma, will be seeking from the New York museum a sketchbook by the Cheyenne warrior Little Finger Nail that contains his drawings and illustrations from battle.

The book, which is in storage and not on display, was plucked from his body after he and other tribe members were killed by U.S. soldiers in Nebraska in 1879.

“These drawings weren’t just made because they were beautiful," Yellowman said. "They were made to show the actual history of the Cheyenne and Arapaho people.”

Institutions elsewhere are taking other approaches.

In Chicago, the Field Museum has established a Center for Repatriation after covering up several cases in its halls dedicated to ancient America and the peoples of the coastal Northwest and Arctic.

The museum has also since returned four items back to tribes, with another three pending, through efforts that were underway before the new regulations, according to spokesperson Bridgette Russell.

At the Cleveland Museum in Ohio, a case displaying artifacts from the Tlingit people in Alaska has been reopened after their leadership gave consent, according to Todd Mesek, the museum’s spokesperson. But two other displays remain covered up, with one containing funerary objects from the ancient Southwest to be redone with a different topic and materials.

And at Harvard, the Peabody Museum’s North American Indian hall reopened in February after about 15% of its roughly 350 items were removed from displays, university spokesperson Nicole Rura said.

Chuck Hoskin, chief of the Cherokee Nation, said he believes many institutions now understand they can no longer treat Indigenous items as “museum curiosities” from “peoples that no longer exist.”

The leader of the tribe in Oklahoma said he visited the Peabody this year after the university reached out about returning hair clippings collected in the early 1930s from hundreds of Indigenous children, including Cherokees, forced to assimilate in the notorious Indian boarding schools.

“The fact that we’re in a position to sit down with Harvard and have a really meaningful conversation, that’s progress for the country,” he said.

As for Baker, he wants the Ohtas returned to its tribe. He said the ceremonial doll should never have been on display, especially arranged as it was among wooden bowls, spoons and other everyday items.

Museum officials say discussions with tribal representatives began in 2021 and will continue, even though the doll technically does not fall under federal regulations because it's associated with a tribe outside the U.S., the Munsee-Delaware Nation in Ontario.

“It has a spirit. It’s a living being," Baker said. "So if you think about it being hung on a wall all these years in a static case, suffocating for lack of air, it’s just horrific, really.”

___

Follow Philip Marcelo at twitter.com/philmarcelo.

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PLAYLIST: A musical guide to each Paris Olympics sport, from archery to wrestling

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From the operatic opening ceremony to athletes' warmup songs, music is intrinsic to the Paris Olympics now underway.

Athletes from around the world are competing in dozens of disciplines among 32 sports. For those watching at home: Do you know what you're going listening to during commercial breaks, while making snacks, or to distract you in moments where your favorite isn't doing that hot? We've got you, with a cheeky musical guide to each sport — some picks more literal than others.

Listen to the full playlist on Spotify here.

While this cut from “Lover” was in her Eras Tour set, Swift executed some apt choreography, pulling back an invisible arrow and making this the obvious choice for the bow-wielding sport.

In the pantheon of aspirational songs that mention or center on running, none has had the resurgence of this gothic '80s tune.

There is something subtly dignified about badminton. It is a classic-feeling racquet sport, and it requires a similarly first-rate song, like this French pop hit.

The hip-hop all-star collaboration “Forever” was on the soundtrack to LeBron James 's 2008 “More Than a Game” documentary, making it the perfect basketball track. James has been selected as Team USA's male flagbearer this year, making it all the more appropriate.

Arguably the greatest moment of lyrical songwriting on this list, this 1969 classic partially about, yes, a boxer is a narrative masterpiece.

Some music is inextricable from movement. This future-seeking record, all early-electronica and robot-rap, is perfect for the Olympics' newest sport.

The indie band was a participant in the once popular “chillwave,” a subgenre that sounded like, well, drifting in water.

Heavy breathing that bleeds into minimalistic electronica from the progenitors themselves — if that doesn't make you want to grab a bicycle, nothing will.

Perhaps the word “dressage” isn't the first one that comes to mind when this banger by the late Keith and the great Nelson plays, but “horses” certainly does.

Many sports are depicted in the K-pop girl group's music video, among them fencing. That should be enough cause for celebration.

Written for the other kind of hockey, this country classic has a malleable warmth to it that works just fine for summer.

“Puntería” was the official theme of TelevisaUnivision’s broadcast of the recently concluded 2024 Copa América; there's no reason it doesn't work for the Olympics, too. Surely Argentina fans would agree.

You could opt for the Tom Jones cover, or the original Johnny Darrell, but nothing beats Wagoner's ode to the green.

At the U.S. Classic earlier this year, Simone Biles debuted the routine she may bring to the Olympics, which ends with “Delresto (Echoes).”

This instantly recognizable postwar ballad is all about moving forward unapologetically. In the case of handball at the Olympics, a sport that has been lately dominated by France, this song takes on a different meaning. Don't look at those past accomplishments; push forward to the next.

It might not be particularly imaginative, but nothing says “combat sport" quite like “Ain't No Problems” from Waka Flocka Flame, Young Thug and Judo. Get it?

The modern pentathlon semifinals and finals will take place at the Palace of Versailles this year, inspiring this pick from the Swedish power metal band.

The entire music video centers on rowing, which makes this reunion-era cut from the beloved British boy band perfect for the watersport.

In 1973, the Welsh singer and comedian wrote this song to celebrate Wales' victory over England. It's since become a rugby classic.

Sailing is a vintage sport, and no voice takes a listener back to a certain time than Holiday's swinging tone. Across this 1937 song, Holiday is in full force, weaving interesting phrasing and tempos.

In film, shooting is often depicted by athletes getting low on the ground to shoot — see what we did there? The reality is a bit more complicated, but the sentiment still stands.

Skateboarding is a fairly new sport to the Olympics, first introduced at the Tokyo Olympics. No song better encapsulates the youthful spirit of skateboarding culture quite like Lupe Fiasco's “Kick, Push.”

Back in her “Hannah Montana” days, Miley Cyrus released this barn-burning, country-pop power ballad about perseverance. It is almost too fitting.

The competition may be in Tahiti, but there was no other choice.

Before becoming a celebrated voice in Latin trap and reggaetón, Carrión was a competitive swimmer, even representing his native Puerto Rico at the 2010 Central American and Caribbean Games.

The visual for this one-time K-pop bop shows the girl group getting very serious about table tennis. The song has all the ebullience of the sport, too.

With the Olympics taking on special significance for the athletes representing the Palestinian territories this year, the energetic techno track from one of the most exciting Palestinian DJs goes to taekwondo, in honor of competitor Omar Ismail. Ismail is the lone Palestinian athlete to qualify in his own right for the Games, although others got in through a wild-card system.

In lieu of listening to the entire “Challengers” score in one sitting, Lorde's “Tennis Court” should scratch the itch.

When all else fails, this bombastic rock hit delivers. The band wrote the song's chord changes to mirror punches in “Rocky III.” That might make it seem better suited for boxing, but truth be told, this classic works even better for triathlon. The song is all about endurance — just like the sport.

Three years ago, N'Gapeth helped France win gold at the Tokyo Olympics. He's competing once again this year, and also happens to be a very talented rapper.

There is nothing people who lift weights love more than Eminem. Except maybe lifting weights.

The fittingly named London indie rock band of yesteryear were once masters at articulating the scars of youth. And adolescence often feels like an internal wrestling match.

___

For more coverage of the 2024 Olympics, visit https://apnews.com/hub/2024-paris-olympic-games.

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Even on quiet summer weekends, huge news stories spread to millions more swiftly than ever before

Repost News asikjost.blogspot.com

James Peeler's phone blew up with messages as he drove home from church in Texas. Reading a book on her couch in Lancaster, Pennsylvania, Wendy Schweiger spied something on Facebook. After finishing a late-night swim in the Baltic Sea off Finland, Matti Niiranen clicked on a CNN livestream.

Each learned that President Joe Biden had abandoned his re-election bid minutes after he dropped a statement online without warning on a summer Sunday.

Eight days after the assassination attempt on former President Donald Trump, it marked the second straight July weekend that a seismic American story broke at a time most people weren't paying attention to the news. Biden's announcement was a startling example of how fast and how far word spreads in today's always-connected world.

“It seemed like a third of the nation knew it instantly,” said longtime news executive Bill Wheatley, “and they told another third.”

Wheatley, now retired and summering in Maine, had sat down to check his email and absent-mindedly refreshed the CNN.com home site on his computer. If he didn't learn the news that way, text messages from friends would have alerted him soon after.

At 1:46 p.m. Eastern Time, the moment Biden posted his announcement on X, an estimated 215,000 people happened to be logged on to one of 124 major U.S. news websites. Fifteen minutes later, those sites had 893,000 readers, according to Chartbeat.

On apnews.com, 3,580 people entered the site during the 1:46 p.m. minute. Nearly an hour later, at 2:43 p.m., The Associated Press' online news destination site hit the afternoon's peak of 18,936 new visitors. CNN.com and its news app saw its usage quintuple within 20 minutes of the news breaking, the network said.

Television networks broke into regular programming for the story between 1:50 and 2:04 p.m. During the relatively quiet quarter-hour before 2 p.m., a total of 2.69 million people were watching either CNN, Fox News Channel or MSNBC, the Nielsen company said. The audience on those three networks swelled to 6.84 million between 2 and 4 p.m. Eastern. Add ABC and CBS, which also had special coverage in those hours, and there were at least 9.27 million following the story on television.

How did everybody get there so quickly? As Wheatley suggested, word of mouth played a big role. To his credit, Peeler said he didn't open his text messages until stopping his car.

Many people also have alerts set up on their phone.

“Our phones are constantly chirping at us and we have them with us all the time,” said Brian Ott, a media and communications professor at Missouri State University and author of “The Twitter Presidency: Donald J. Trump and the Politics of White Rage.”

Ott and his wife were traveling in Belgrade, Serbia, and, with the time difference, had gone to bed on Sunday night before Biden made his announcement. Ott found out the next morning when he checked news sites online and told his wife when she woke up.

“Oh, I already know,” she responded. She had logged on to X when she got up to use the bathroom in the middle of the night.

Since then, as he has moved on to Italy, visiting Rome and Florence, Ott said everyone he's run into who hears he speaks English has wanted to talk to him about Biden.

“My sense is that the compulsion is the same for everyone,” he said. “In our digital world, information is capital, and everyone wants to demonstrate their capital.”

At his summer house in Pyharanta, Finland, Niiranen has taken a keen interest in U.S. politics, which the semiretired writer said dates to his time as an exchange student in Michigan. He had gone for a swim after 10 p.m. on Sunday, since daylight lingers longer there.

Niiranen had read speculation that Biden might drop out, so when he sat down on his deck after getting out of the water, he checked the CNN stream and found that was the case.

“Interesting election you have there!” he said. “I'll be watching it.”

Visiting family in Canaan, New Hampshire, Tracy Jasnowski was having a mostly unplugged week because of spotty internet service. Once a day, adults and children alike retreated with their devices to a spot on the lawn where the service is more consistent. That's when she found out.

“Honestly, I thought I might vomit,” she said. “I was shocked. I was cast adrift. I had no idea that would happen.”

Even if she hadn't learned it then, Jasnowski said she quickly got text messages from friends. And when her father woke up from his nap, he turned on Fox News.

A generation or two earlier, people would have to be watching TV or listening to the radio to hear a special report about momentous news, said Wheatley, a former executive at NBC News. Then people would spread it by telling friends or family. Now with social media, text alerts and websites available at a click, news moves “much, much faster."

“The next logical question," he said, "is how accurate is it?”

It's a mantra drummed into young journalists: Get the news fast but, more importantly, get it right. A mistake on a major, breaking story can derail a career. This month's big stories illustrated the pressure that comes with the need for speed.

Almost immediately after Biden's announcement, it became a major part of the story journalists were filing that he hadn't endorsed his vice president, Kamala Harris, to succeed him. He did within a half hour, but that's an eternity for those who want to raise questions or float conspiracy theories.

Similarly, video of the Trump rally where shots were fired appeared instantly on television screens. But most initial news reports were extremely cautious, sticking to what was known: Trump was hurried off the stage by Secret Service agents. Blood was visible. There was a noise that sounded like gunshots.

That, in turn, led some to criticize journalists for being too wary, too reluctant to call it an assassination attempt. Yet not all facts are quickly known; nearly two weeks later, at a congressional hearing, FBI Director Christopher Wray said it still wasn't fully clear whether Trump had been hit by a bullet or shrapnel. The next day, the FBI announced it had concluded it was a bullet.

In other words, it's common that there's more to a story than meets the eye, and the frenzy of initial breaking news requires strong adherence to the facts available at the moment, no matter what becomes clear later.

When Peeler arrived at his destination in Texas last week and checked on what his friends had texted him about Biden, he called up the websites of local TV network affiliates. In Pennsylvania, Schweiger turned immediately to the AP and The New York Times online.

Both were grateful they had someplace they considered reliable to learn the facts.

“I operate under the assumption that news is 24 hours, and that you always have people that can be pressed into service for anything at any time,” Schweiger said.

___

David Bauder writes about media for the AP. Follow him at http://twitter.com/dbauder.

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'Twisters' tears through Oklahoma on the big screen. Moviegoers in the state are buying up tickets

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MOORE, Okla. -- Grace Evans lived through one of the most powerful and deadly twisters in Oklahoma history: a roaring top-of-the-scale terror in 2013 that plowed through homes, tore through a school and killed 24 people in the small suburb of Moore.

A hospital and bowling alley were also destroyed. But not the movie theater next door — where almost a decade later, Evans and her teenage daughter this week felt no pause buying two tickets to a showing of the blockbuster “Twisters.”

“I was looking for that element of excitement and I guess drama and danger,” Evans said.

Her daughter also walked out a fan. “It was very realistic. I was definitely frightened,” said Charis Evans, 15.

The smash success of “Twisters” has whipped up moviegoers in Oklahoma who are embracing the summer hit, including in towns scarred by deadly real-life tornadoes. Even long before it hit theaters, Oklahoma officials had rolled out the red carpet for makers of the film, authorizing what is likely to wind up being millions of dollars in incentives to film in the state.

In its opening weekend, the action-packed film starring Daisy Edgar-Jones and Glen Powell generated $80.5 million from more than 4,150 theaters in North America. Some of the largest audiences have been in the tornado-prone Midwest.

The top-performing theater in the country on opening weekend was the Regal Warren in Moore, which screened the film in 10 of its 17 auditoriums on opening weekend from 9 a.m. to midnight. John Stephens, the theater's general manager, said many moviegoers mentioned wanting to see the film in a theater that survived a massive tornado.

“The people who live in Tornado Alley have a certain defiance towards mother nature,” he said, “almost like a passion to fight storms, which was depicted by the characters in ‘Twisters.’"

Lee Isaac Chung, who directed the film, considered placing the movie in Oklahoma to be critically important.

“I told everyone this is something that we have to do. We can’t just have blue screens,” Chung told the AP earlier this year. “We’ve got to be out there on the roads with our pickup trucks and in the green environments where this story actually takes place.”

The film was shot at locations across Oklahoma, with the studio taking advantage of a rebate incentive in which the state directly reimburses production companies for up to 30% of qualifying expenditures, including labor.

State officials said the exact amount of money Oklahoma spent on “Twisters” is still being calculated. But the film is exactly the kind of blockbuster Sooner State policymakers envisioned when they increased the amount available for the program in 2021 from $8 million annually to $30 million, said Jeanette Stanton, director of Oklahoma's Film and Music Office.

Among the major films and television series that took advantage of Oklahoma's film incentives in recent years were “Reagan" ($6.1 million), “Killers of the Flower Moon” ($12.4 million), and the television shows “Reservoir Dogs” ($13 million) and “Tulsa King” ($14.1 million).

Stanton said she's not surprised by the success of “Twisters,” particularly in Oklahoma.

“You love seeing your state on the big screen, and I think for locals across the state, when they see that El Reno water tower falling down, they think: ‘I know where that is!’” she said.

“It's almost as if Oklahoma was a character in the film,” she added.

In the northeast Oklahoma community of Barnsdall, where two people were killed and more than 80 homes were destroyed by a tornado in May, Mayor Johnny Kelley said he expects most residents will embrace the film.

“Some will and some won’t. Things affect people differently, you know?” said Kelley, who is a firefighter in nearby Bartlesville. “I really don’t ever go to the movies or watch TV, but I might go see that one."

___

Follow Sean Murphy at www.x.com/apseanmurphy

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Celine Dion makes musical comeback at Paris Olympics with Eiffel Tower serenade

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PARIS -- PARIS (AP) — Celine Dion made a triumphant return Friday with a very public performance: closing out the Paris Olympics' opening ceremony from the Eiffel Tower.

Nearly two years after revealing her stiff person syndrome diagnosis, Dion belted Edith Piaf's “Hymne à l’amour” (“Hymn to Love”) as the finale of the roughly four-hour spectacle. Her appearance had been teased for weeks, but organizers and Dion's representatives had refused to confirm whether she was performing.

On a page dedicated to Dior's contributions to the opening ceremony, the media guide referred to “a world star, for a purely grandiose, superbly scintillating finale.”

Dion had been absent from the stage since 2020, when the coronavirus pandemic forced the postponement of her tour to 2022. That tour was eventually suspended in the wake of her diagnosis.

The rare neurological disorder causes rigid muscles and painful muscle spasms, which were affecting Dion’s ability to walk and sing. In June, at the premiere of the documentary “I Am: Celine Dion,” she told The Associated Press that returning required therapy, “physically, mentally, emotionally, vocally.”

“So that’s why it takes a while. But absolutely why we’re doing this because I’m already a little bit back,” she said then.

Even before the documentary's release, Dion had taken steps toward a comeback. In February, she made another surprise appearance, at the Grammy Awards, where she presented the final award of the night to a standing ovation.

For Friday's performance, Dion's pearl outfit was indeed designed by Dior. Speaking on French television, the Paris organizing committee's director of design and costume for ceremonies, Daphné Bürki, recalled Dion's enthusiasm for the opportunity.

“When we called Celine Dion one year ago she said yes straight away,” Bürki said.

Dion is not actually French — the French Canadian is from Quebec — but she has a strong connection to the country and the Olympics. Dion's first language is French, and she has dominated the charts in France and other French-speaking countries. (She also won the 1988 Eurovision Song Contest with a French-language song ... representing Switzerland.) And early in her English-language career — even before “My Heart Will Go On” from “Titanic” — she was tapped to perform “The Power of The Dream,” the theme song for the 1996 Atlanta Olympics.

Dion's song choice also evoked a sports connection: Piaf wrote it about her lover, boxer Marcel Cerdan. Cerdan died soon after she wrote the song, in a plane crash.

___

Associated Press reporters Sylvie Corbet, Jerome Pugmire and Samuel Petrequin contributed.

___

For more coverage of the Paris Olympics, visit https://apnews.com/hub/2024-paris-olympic-games.

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Pharrell advocates for reviving arts competitions for 2028 Olympics at Louis Vuitton event

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PARIS -- If given the chance, Pharrell Williams would reintroduce arts competition into the Olympics, reviving a tradition that's been missing for nearly 80 years.

Williams is aiming to reinstate arts competitions back on the world's biggest sports stage, starting with raising awareness through his star-studded Louis Vuitton event Thursday in Paris. He passionately shared his goal to see the tradition revived by the Olympics in 2028 the night before the Games’ opening ceremony.

“We get to remind people that at one point, the Olympics actually had the arts as a section that ran all these competitions,” Williams before the event. “Sculpture, architecture, visual arts. The idea we get to put the arts back in. ... Why not take this moment to bring awareness?”

Art competitions first came into fruition at the 1912 Olympics in Stockholm with medals awarded in five categories: architecture, literature, music, painting and sculpture. However, the International Olympic Committee ended the competitions in the 1948 games. An attempt to bring it back was denied four years later.

Williams, the musician-turned-designer, hosted the ritzy A-list event at the Louis Vuitton Foundation building. Attendees included popular figures such as LeBron James, Steven Spielberg, Mick Jagger, Zendaya, Anna Wintour, Charlize Theron, Serena Williams, Rosalía, Snoop Dogg, Queen Latifah and Zac Efron.

Williams called the inside of the event like an “indoor carnival.” He curated a select group of world-renowned artists including KAWS, Daniel Arsham and Derek Fordjour to design interactive art installations.

Some of the sports represented at the event included archery, tennis, basketball and equestrianism along with carnival games. “The game will begin on the inside tonight,” he said.

Through donations, Williams said he wanted the event to support Olympic hopefuls as well as 36 athletes across 11 different countries who are competing on the Refugee Olympic Team this year.

“We get to raise money for the other athletes who don't have the means to get the gear or proper training equipment,” said Williams, who added that he spoke about creating music for the games with Thomas Bach, the president of the IOC.

The famed producer said he recorded a track called “Triumph is Cosmos.”

“This is like the victory lap around the solar system,” he said.

___

AP Summer Olympics: https://apnews.com/hub/2024-paris-olympic-games

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結婚・出産を経て「人生の第2幕の始まり」と語るソン・イェジン、20年以上も前の名作「ラブストーリー」に見る「初恋」のイメージ - ホミニス - 芸能人、有名人のインタビュー＆出演情報＆番組ニュース

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結婚・出産を経て「人生の第2幕の始まり」と語るソン・イェジン、20年以上も前の名作「ラブストーリー」に見る「初恋」のイメージ  ホミニス - 芸能人、有名人のインタビュー＆出演情報＆番組ニュース
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ラウール かつて告白したことある？にぶっちゃけ回答 恋の始まり方の持論も語る「告白の必要性は…」 - スポニチアネックス Sponichi Annex

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Yuval Sharon's contract as Detroit Opera artistic director extended 3 years through 2027-28 season

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DETROIT -- Yuval Sharon’s contract as artistic director of the Detroit Opera was extended Thursday for three years through the 2027-28 season as he shifts the company toward themed seasons.

Sharon is planning America for 2025-26, Faith for 2026-27 and Sustainability for 2027-28. He said he wanted to get away from seasons that have unconnected presentations where “the programing is something like a smorgasbord.”

"Whenever I go to a smorgasbord, I have an upset stomach," he said.

Sharon started with the company in 2020. The first of the seasons under his new deal will mark the 250th anniversary of the Declaration of Independence, the second will address religious figures and stories, and the third will focus on environmental justice and climate change. Four productions are being scheduled for each season.

“I wanted to experiment with a format that could actually fully unify the organization, so meaning everything that’s happening on stage and everything that’s happening off stage can feel like one piece." Sharon said. “I thought, ‘What are the topics that could open up a dialog with other institutions or other organizations in Detroit that could facilitate a yearlong engagement?’”

A 44-year-old known for innovation, Sharon's initial 2020-21 season in Detroit included “Twilight: Gods,” a version of Wagner’s “Götterdämmerung” trimmed to just over an hour and presented in a parking lot outside the Detroit Opera House because of the COVID-19 pandemic.

His 2022 version of Puccini’s “La Bohème” presented the four acts in reverse order, allowing Mimi’s health to improve rather than deteriorate. His new staging of Mozart’s “Così fan tutte” next April explores artificial intelligence with the four lovers as robotic inventions.

Sharon in 2018 became the first American to direct at Bayreuth with “Lohengrin” in a production that will be revived in 2025 as conductor Christian Thielemann returns to the Richard Wagner Opera Festival.

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‘Deadpool & Wolverine’ dominates at Comic-Con ahead of panel with Ryan Reynolds, Hugh Jackman

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SAN DIEGO -- SAN DIEGO (AP) — “Deadpool & Wolverine” has arrived — and Comic-Con, with its hordes of Marvel fans, is ready to celebrate the only superhero flick of the summer.

The sprawling convention celebrating all things pop culture kicked off Wednesday, and a panel celebrating the release of “Deadpool & Wolverine,” is the main attraction for Thursday. On the convention's preview night, scores of fans were sporting clothing or costumes featuring the movie's characters.

Ryan Reynolds and Hugh Jackman, who play the titular superheroes, will join director Shawn Levy in the San Diego Convention Center’s famed Hall H Thursday. To prevent fans from camping out in lines all day to snag a seat, organizers created a lottery system for the chance to win tickets. The venue holds about 6,000 people.

Some fans, conditioned to expect surprise guests and never-before-seen footage from years of experience at the convention, are speculating the panel will be followed by a screening of the film, which hits theaters Friday.

“Deadpool & Wolverine” marks the debut of Reynolds and Jackman’s characters in the Marvel Cinematic Universe. Disney and the Marvel Cinematic Universe are the subject of several jokes throughout the trailer. Both Deadpool and Wolverine's characters existed in films previously under the 21st Century Fox banner.

The release comes at a time of increasing conversations about a general “superhero fatigue,” with audiences showing less enthusiasm for superhero movies both within the MCU and beyond. Part of that fatigue comes from a feeling that to understand a superhero movie today requires background research into the lore of the characters and comics, with much required viewing and reading.

Levy said in an April interview with The Associated Press that he wanted to make sure his movie didn’t require that intense level of preparation.

“I was a good student in school. I’ll do my homework as an adult. But I am definitely not looking to do homework when I go to the movies,” Levy said.

“I very much made this film with certainly a healthy respect and gratitude towards the rabid fan base that has peak fluency in the mythology and lore of these characters and this world. But I didn’t want to presume that. This movie is built for entertainment, with no obligation to come prepared with prior research.”

Although Marvel is anxious for a hit following box-office underperformance in of “The Marvels” and “Ant-Man and the Wasp: Quantumania” in 2023, “Deadpool & Wolverine” is tracking to open in the $160 million range. That would unseat “Inside Out 2” for the biggest opening of the year— and quash any discussion of superhero fatigue.

With generally positive reviews, rousing enthusiasm at Comic-Con and an endorsement from Taylor Swift where she called the film a “joy portal,” Marvel’s latest movie is set to be a box-office hit.

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【兵庫県豊岡市】期間限定！今年も玄武洞公園のライトアップが始まりました！ - PR TIMES

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How to watch the 2024 Olympics opening ceremony

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The opening ceremony for the Paris Olympics is set for Friday.

Instead of a traditional march into a stadium, about 10,500 athletes will parade on more than 90 boats on the Seine River for 6 kilometers (3.7 miles). This will start the ceremony, not mark the end of it, another break from tradition.

The ceremony starts at 1:30 p.m. EDT/7:30 p.m. CEST and is expected to last more than three hours.

The parade starts at the Austerlitz Bridge beside the Jardin des Plantes and follows the course of the Seine from east to west. It makes its way around two islands in the center of the city before passing under several bridges and gateways. Athletes aboard the boats will get glimpses of several Olympic venues including La Concorde Urban Park (3X3 basketball, breaking, BMX freestyle cycling, skateboarding), Invalides (archery, athletics — marathon finish, road cycling — time trial start) and the Grand Palais (fencing, taekwondo). The parade ends at the Iena Bridge, which links the Eiffel Tower on the left bank of the Seine to the Trocadéro district on the right bank. The ceremony’s finale is at the Trocadéro. There, among other ceremonial procedures, French President Emmanuel Macron will deliver opening remarks.

The ceremony will air on NBC and stream on Peacock and NBC Olympic platforms — NBCOlympics.com, NBC.com, NBC app, NBC Olympics app.

A preview will air on NBC at noon EDT, with live coverage beginning at 1:30 p.m. and an enhanced prime-time encore at 7:30 p.m.

About 220,000 invited and security-screened spectators are expected to fill the upper tiers of the Seine's banks, and an additional 104,000 paying spectators will watch from the lower riverside and around the Trocadéro plaza.

Those in Paris who could not get tickets will be able to watch the ceremony on 80 giant screens set up throughout the city.

In addition to the athletes who will participate in the parade, 3,000 dancers, artists and other athletes will be featured in the opening and closing ceremonies. Most of the entertainment acts remain under wraps. NBC News reported that Celine Dion and Lady Gaga have arrived in Paris amid speculation that one or both of the pop singers will perform at the opening ceremony.

___

AP Summer Olympics: https://apnews.com/hub/2024-paris-olympic-games

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Movie Review: In 'Deadpool & Wolverine,' the superhero movie finally accepts itself for what it is

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If one thing is certain about “Deadpool,” it’s that its titular hero, for reasons never explained, understands his place in the world — well, in our world.

Indeed, the irreverent and raunchy mutant is sure to belabor his awareness of the context in which he lives — namely an over-saturated, increasingly labyrinthine multibillion-dollar Marvel multiverse which spans decades, studios and too many films for most viewers to count.

From its inception, the “Deadpool” franchise has prided itself a subversive, self-aware anti-superhero superhero movie, making fun of everything from comic books to Hollywood to its biggest champion, co-writer and star, Ryan Reynolds.

It’s no surprise then, as fans have come to expect, that the long-anticipated “Deadpool & Wolverine” further embraces its fourth wall-breaking self-awareness — even as it looks increasingly and more earnestly like the superhero movie blueprint it loves to exploit. That tension — the fact that “Deadpool” has called out comic book movie tropes despite being, in fact, a comic book movie — is somehow remedied in “Deadpool & Wolverine,” which leans into its genre more than the franchise's first two movies.

Perhaps this gives viewers more clarity on its intended audience. After all, someone who hates superhero films — I’m looking at you, Scorsese — isn’t going to be won over because of a few self-deprecating jokes about lazy writing, budgets for A-list cameos and the overused “superhero landing” Reynolds’ Deadpool regularly refers to.

But this time around, director Shawn Levy — his first Marvel movie — seems to have found a sweet spot. Levy is surely helped by the fact that the third film in the franchise has a bigger budget, more hype and, of course, a brooding, eventually shirtless, Hugh Jackman as Wolverine — who has long been teased as someone Deadpool has, er, complicated feelings toward.

That anticipation makes their relationship, packed with hatred, fandom and homoeroticism, all the more enticing. Their fight scenes against each other are just as compelling as their moments of self-sacrificial partnership in the spirit of, you guessed it, saving the world(s).

Speaking of worlds, there is one important development in our own to be aware of ahead of time. The first two “Deadpool” films were distributed by 20th Century Fox, whose $71.3 billion acquisition by the Walt Disney Co. in 2019 opened the door for the franchise to join the Marvel Cinematic Universe.

Perhaps unsurprisingly, “Deadpool & Wolverine” takes full advantage of that vast playground, which began in 2008 with Robert Downey Jr.’s “Iron Man” and now includes more than 30 films and a host of television shows. The acquisition is also a recurring target of Deadpool’s sarcasm throughout the movie.

Although steeped in references and cameos that can feel a bit like inside baseball for the less devoted, “Deadpool & Wolverine” is easy enough to follow for the casual Marvel viewer, though it wouldn’t hurt to have seen the first “Deadpool” and Jackman’s 2017 “Logan,” a harbinger of the increasing appetite for R-rated superhero violence. The Disney+ series “Loki” also gives helpful context, though is by no means a must watch, on the Time Variance Authority, which polices multiverse timelines to avoid “incursions,” or the catastrophic colliding of universes.

A defining feature of “Deadpool” has been its R rating and hyper violent action scenes. Whether thanks to more money, Levy’s direction or some combination of the two, these scenes are much more visually appealing.

But “Deadpool & Wolverine” does succumb to some of the deus ex machina writing that so often plagues superhero movies. Wade Wilson’s (the real identity of Deadpool) relationship with his ex (?) Vanessa is particularly underdeveloped — though it’s possible that ambiguity is a metaphor for Deadpool’s future within the MCU.

The plot feels aimless at points toward the end. One cameo-saturated battle scene in particular is resolved in a way that leaves its audience wanting after spending quite a bit of time building tension around it. While there are a few impressive stars who make an appearance, audiences may be disappointed by the amount of MCU characters referenced who don’t make it in.

The bloody but comedic final fight scene, however, is enough to perk viewers back up for the last act, solidifying the film’s identity as a fun, generally well-made summer movie.

The sole MCU release of 2024, “Deadpool & Wolverine” proves it’s not necessarily the source material that’s causing so-called superhero fatigue. It also suggests, in light of Marvel’s move to scale back production following a pandemic and historic Hollywood strikes, that increased attention given to making a movie will ultimately help the final product.

“Deadpool & Wolverine,” a Walt Disney Studios Motion Pictures release, is rated R by the Motion Picture Association for strong bloody violence and language throughout, gore and sexual references. Running time: 127 minutes. Two and a half out of four stars.

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始まりは「えみ」からのフォロー SNS投資詐欺、拠点を一斉摘発 [大阪府] - 朝日新聞デジタル

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Biden will address the nation at 8 p.m. ET Wednesday on his decision to drop his 2024 Democratic presidential bid

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昨夏甲子園準Ｖの仙台育英が３連覇逃す 須江監督「人生は敗者復活戦。終わりが始まり」／宮城 - ニッカンスポーツ

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Hunter Biden drops lawsuit against Fox News over explicit images featured in streaming series

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FILE - Hunter Biden arrives at federal court, June 3, 2024, in Wilmington, Del. Hunter Biden has dropped a lawsuit accusing Fox News of unlawfully publishing explicit images of him as part of a streaming series. An attorney for the president’s son filed a voluntary dismissal on Sunday, July 21 in federal court in New York City. (AP Photo/Matt Slocum, file)

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Celebrity birthdays for the week of July 28-Aug. 3

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Celebrity birthdays for the week of July 28-Aug. 3:

July 28: Cartoonist Jim Davis (“Garfield”) is 79. Actor Linda Kelsey (“Lou Grant”) is 78. Singer Jonathan Edwards is 78. Actor Sally Struthers is 77. Drummer Simon Kirke of Bad Company is 75. Guitarist Steve Morse of Deep Purple is 70. CBS News anchor Scott Pelley is 67. Bassist Marc Perlman of The Jayhawks is 63. Actor Michael Hayden (“Murder One”) is 61. Actor Lori Loughlin (“90210,” ″Full House”) is 60. Jazz trombonist Delfeayo Marsalis is 59. Actor Elizabeth Berkley (“Showgirls,” ″Saved by the Bell”) is 52. Singer Afroman is 50. Drummer Todd Anderson of Heartland is 49. Singer Jacoby Shaddix of Papa Roach is 48. Actor John David Washington (“BlacKkKlansman”) is 40. Actor Jon Michael Hill (“Elementary”) is 39. Actor Dustin Milligan (“90210”) is 39. Rapper Soulja Boy is 34.

July 29: Actor Robert Fuller (“Laramie,” ″Emergency!”) is 91. Actor Roz Kelly (“Happy Days”) is 82. Keyboardist Neal Doughty of REO Speedwagon is 78. Actor Mike Starr (“Ed,” ″Goodfellas”) is 74. Documentary maker Ken Burns is 71. TV personality Tim Gunn (“Project Runway”) is 71. Singer-bassist Geddy Lee of Rush is 71. Singer Patti Scialfa of Bruce Springsteen and the E Street Band is 71. Actor Alexandra Paul (“Baywatch”) is 61. Actor Dean Haglund (“The X Files”) is 59. Country singer Martina McBride is 58. Drummer Chris Gorman of Belly is 57. Actor Tim Omundson (“Psych”) is 55. Actor Ato Essandoh (film’s “Django Unchained,” TV’s “Elementary”) is 52. Actor Wil Wheaton (“Star Trek: The Next Generation,” “Stand By Me”) is 52. Actor Stephen Dorff is 51. Singer Wanya Morris of Boyz II Men is 51. Country singer James Otto is 51. Actor Josh Radnor (“How I Met Your Mother”) is 50. Musician Danger Mouse is 47. Actor Rachel Miner (“Supernatural”) is 44. Actor Allison Mack (“Smallville”) is 42. Actor Kaitlyn Black (“Hart of Dixie”) is 41. Actor Cait Fairbanks (“The Young and the Restless”) is 31.

July 30: Blues guitarist Buddy Guy is 88. Singer Paul Anka is 83. Actor William Atherton (“Die Hard” films”) is 77. Actor-turned-politician Arnold Schwarzenegger is 77. Actor Jean Reno (“The Da Vinci Code,” ″Godzilla”) is 76. Actor Ken Olin is 70. Actor Delta Burke is 68. Actor Richard Burgi (“Desperate Housewives”) is 66. Singer-songwriter Kate Bush is 66. Country singer Neal McCoy is 66. Director Richard Linklater (“Boyhood,” “Dazed and Confused”) is 64. Actor Laurence Fishburne is 63. Actor Lisa Kudrow (“Friends”) is 61. Guitarist Dwayne O’Brien of Little Texas is 61. Actor Vivica A. Fox is 60. Actor Terry Crews (“Brooklyn Nine-Nine,” ″Everybody Hates Chris”) is 56. Actor Simon Baker (“The Mentalist”) is 55. Director Christopher Nolan (“Oppenheimer,” “Memento”) is 54. Actor Tom Green is 53. Drummer Brad Hargreaves of Third Eye Blind is 53. Actor Christine Taylor (“Dodgeball,” “The Brady Bunch Movie”) is 53. Comedian Dean Edwards (“Saturday Night Live”) is 51. Actor Hilary Swank is 50. Actor Jaime Pressly (“Mom,” “My Name Is Earl”) is 47. Singer-guitarist Seth Avett of The Avett Brothers is 44. Actor April Bowlby (“Drop Dead Diva,” ″Two and a Half Men”) is 44. Actor Yvonne Strahovski (“Chuck”) is 42. Actor Martin Starr (“Silicon Valley,” ″Freaks and Geeks”) is 42. Actor Gina Rodriguez (“Jane the Virgin”) is 40. Actor Joey King (TV’s “Fargo,” “The Kissing Booth” films) is 25.

July 31: Jazz guitarist Kenny Burrell is 93. Actor Susan Flannery (“Bold and the Beautiful”) is 85. Actor France Nuyen (“South Pacific,” “The Joy Luck Club”) is 85. Singer Lobo is 81. Actor Geraldine Chaplin is 80. Singer Gary Lewis of Gary Lewis and the Playboys is 79. Actor Lane Davies (“Lois and Clark”) is 74. Actor Barry Van Dyke (“Murder 101,” “Diagnosis Murder”) is 73. Actor Alan Autry (“In the Heat of the Night,” “Grace Under Fire”) is 72. Jazz pianist-actor Michael Wolff (“The Naked Brothers Band’) is 72. Actor James Read (TV’s “Charmed,” film’s “Legally Blonde”) is 71. Actor Michael Biehn (“The Terminator,” ″Aliens”) is 68. Singer-guitarist Daniel Ash (Love and Rockets, Bauhaus) is 67. Actor Dirk Blocker (“Brooklyn Nine-Nine”) is 67. Drummer Bill Berry (R.E.M.) is 66. Actor Wesley Snipes is 62. Country singer Chad Brock is 61. Musician Fatboy Slim is 61. Guitarist Jim Corr of The Corrs is 60. “Harry Potter” author J.K. Rowling is 59. Actor Dean Cain (“Lois and Clark”) is 58. Actor Jim True-Frost (“American Odyssey,” ″The Wire”) is 58. Actor Loren Dean (“Billy Bathgate,” “Space Cowboys”) is 55. Actor Eve Best (“Nurse Jackie”) is 53. Actor Annie Parisse (“How To Lose A Guy In 10 Days”) is 49. Actor Robert Telfer (“Saved By The Bell”) is 47. Country singer Zac Brown of Zac Brown Band is 46. Actor B.J. Novak (“The Office”) is 45. Rapper Lil Uzi Vert is 30. Actor Rico Rodriguez (“Modern Family”) is 26.

Aug. 1: Singer Ramblin’ Jack Elliott is 93. Blues musician Robert Cray is 71. Singer Michael Penn is 66. Singer Joe Elliott of Def Leppard is 65. Rapper Chuck D of Public Enemy is 64. Guitarist Suzi Gardner of L7 is 64. Singer Adam Duritz of Counting Crows is 60. Director Sam Mendes (“Skyfall,” “American Beauty”) is 59. Country singer George Ducas is 58. Guitarist Charlie Kelley (Buffalo Club) is 56. Actor Jennifer Gareis (“The Bold and the Beautiful”) is 54. Actor Tempestt Bledsoe (“The Cosby Show”) is 51. Actor Jason Momoa (“Aquaman,” “Game of Thrones”) is 45. Singer Ashley Parker Angel (O-Town) is 43. Actor Taylor Fry (“Kirk,” ″Get A Life”) is 43. Actor Elijah Kelley (2007′s “Hairspray”) is 38. Actor James Francis Kelly (“Rocky Balboa”) is 35.

Aug. 2: Keyboardist Garth Hudson of The Band is 87. Singer Kathy Lennon of The Lennon Sisters is 81. Actor Joanna Cassidy is 79. Actor Kathryn Harrold is 74. Actor Butch Patrick (“The Munsters”) is 71. Music producer and Garbage drummer Butch Vig is 69. Actor Victoria Jackson (“Saturday Night Live”) is 65. Actor Apollonia is 65. Actor Cynthia Stevenson (“Men In Trees,” ″Hope and Gloria”) is 62. Actor Mary-Louise Parker is 60. Director-actor Kevin Smith (“Clerks,” ″Jay and Silent Bob Strike Back”) is 54. Actor Sam Worthington (“Avatar”) is 48. Actor Edward Furlong is 47. “Today” meteorologist Dylan Dreyer is 43. Actor Marci Miller (“Days of Our Lives”) is 39. Singer Charli XCX is 32. Actor Hallie Eisenberg is 32.

Aug. 3: Actor Martin Sheen is 84. Singer Beverly Lee of The Shirelles is 83. Lifestyle guru Martha Stewart is 83. Movie director John Landis is 74. Actor JoMarie Payton (“Family Matters”) is 74. Actor Jay North (“Dennis the Menace”) is 73. Actor Philip Casnoff (“Oz,” “Strong Medicine”) is 70. Actor John C. McGinley (“Scrubs”) is 65. Bassist Lee Rocker (Stray Cats) is 63. Actor Lisa Ann Walter (“Abbott Elementary”) is 63. Singer-guitarist James Hetfield of Metallica is 61. Singer Ed Roland of Collective Soul is 61. Actor Isaiah Washington (“Grey’s Anatomy,” ″Soul Food”) is 61. Keyboardist Dean Sams of Lonestar is 58. Guitarist Stephen Carpenter of Deftones is 54. Musician Spinderella of Salt-N-Pepa is 53. Actor Brigid Brannagh (“CSI,” “Army Wives”) is 52. Actor Michael Ealy (“Think Like A Man,” ″Barbershop”) is 51. Violinist Jimmy De Martini of Zac Brown Band is 48. Actor Evangeline Lilly (“Lost”) is 45. Actor Mamie Gummer (“The Good Wife”) is 41. Singer Holly Arnstein of Dream is 39. Actor Georgina Haig (“Once Upon a Time”) is 39. Bassist Brent Kutzle of OneRepublic is 39. Rapper D.R.A.M. is 36.

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Celebrity birthdays for the week of July 28-Aug. 3
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